Artwork

The Hatpin (Berthe Morisot's Daughter and Her Cousin), 1st plate

The Hatpin (Berthe Morisot's Daughter and Her Cousin), 1st plate, by Pierre-Auguste Renoir, 1894
The Hatpin (Berthe Morisot's Daughter and Her Cousin), 1st plate, by Pierre-Auguste Renoir, 1894

The Hatpin (Berthe Morisot's Daughter and Her Cousin), 1st plate is a print by the Impressionist artist Pierre-Auguste Renoir. It dates from 1894 and is held in the collection of the Cleveland Museum of Art.

Accession no.
1961.282

About this work

Overview

Created around 1894, this ink drawing by Pierre-Auguste Renoir depicts two young women seated closely, their postures intimate and relaxed. Rendered entirely in line without shading or color, the work captures a fleeting moment of quiet companionship. It is part of a small series of drawings focused on domestic scenes, and is currently held in the collection of The Cleveland Museum of Art.

Subject & Meaning

The figures are Berthe Morisot’s daughter, Julie, and her cousin, Paule Gobillard, both adolescents at the time. Their subdued gestures, heads bowed, hands resting, suggest a moment of stillness amid daily life. The proximity of their bodies and matching attire imply familial closeness, while the absence of narrative detail invites contemplation rather than storytelling.

Technique & Style

Renoir employed fluid, rapid ink strokes to define form and movement, avoiding tone or color entirely. The hats, rendered with swirling, rhythmic lines, appear weightless, as if caught in a breeze. The loose, sketch-like quality reflects Impressionist concerns with spontaneity and perception, translating the ephemeral feel of a moment into pure linear energy.

History & Provenance

The drawing was made during Renoir’s later years, when he frequently visited the Morisot family. It was likely created as a private study, not for public exhibition. Acquired by The Cleveland Museum of Art in the 20th century, it remains one of the few surviving ink drawings from this intimate phase of his work.

Context

Renoir’s focus on domestic interiors and female figures in this period aligns with broader Impressionist interests in everyday life. His use of line here echoes the spontaneity of his brushwork in paintings, but strips away color to emphasize gesture and rhythm. The drawing reflects his deep engagement with the Morisot family, who were central to his social and artistic circle.

Legacy

This work exemplifies Renoir’s ability to convey emotional nuance through minimal means. Though less known than his paintings, such drawings reveal his sustained interest in capturing transient moments with sensitivity. They influenced later artists exploring the expressive potential of line in modern drawing practices.

Le Chapeau epinglé
Le Chapeau epinglé, Pierre-Auguste Renoir

Artist & collection

Portrait of Pierre-Auguste Renoir

Artist

Pierre-Auguste Renoir

Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style.

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

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Frequently asked questions

Who painted The Hatpin (Berthe Morisot's Daughter and Her Cousin), 1st plate?

The Hatpin (Berthe Morisot's Daughter and Her Cousin), 1st plate was painted by Pierre-Auguste Renoir in 1894.

Where can I see The Hatpin (Berthe Morisot's Daughter and Her Cousin), 1st plate?

The Hatpin (Berthe Morisot's Daughter and Her Cousin), 1st plate is held by Cleveland Museum of Art.

What movement is The Hatpin (Berthe Morisot's Daughter and Her Cousin), 1st plate?

The Hatpin (Berthe Morisot's Daughter and Her Cousin), 1st plate is associated with Impressionism.

Can I buy a print of The Hatpin (Berthe Morisot's Daughter and Her Cousin), 1st plate?

Museum-quality prints of The Hatpin (Berthe Morisot's Daughter and Her Cousin), 1st plate are available made-to-order from Artifact World Gallery.