Artwork
The Ponte Salario

The Ponte Salario is an oil painting by the Rococo painting artist Hubert Robert. It dates from 1775 and is held in the collection of the National Gallery of Art.
About this work
History & Provenance
Before that, it was listed in the estate sale of the maréchale duchesse de Raguse at the Hôtel des Commissaires-Priseurs in Paris on 14–15 December 1857.
Hubert Robert created the oil-on-canvas painting The Ponte Salario on January 17, 1775. The work first entered the collection of Jean Frédéric Perregaux, a Swiss-born banker and regent of the Banque de France, who reportedly acquired it directly from the artist. By 1808, the painting was listed in Perregaux's postmortem inventory, valued at 120 francs and displayed in the salon of his Paris townhouse.
Upon Perregaux's death, the piece passed by inheritance to his daughter, Anne Marie Hortense Perregaux, who became the maréchale duchesse de Raguse. It remained in her possession until her estate sale in Paris in December 1857. The painting later belonged to Madame Louis Stern before being sold at Galerie George Petit in 1929.
It subsequently entered the stock of Wildenstein & Co., Inc., in New York, which sold it to the Samuel H. Kress Foundation in December 1946. The foundation gifted the work to the National Gallery of Art in Washington, D.C., in 1952.
The Ponte Salario has been held by the National Gallery of Art in Washington, D.C., since 1952, when it entered the institution as a gift of the Samuel H. Kress Foundation. The Kress Foundation had acquired the painting through Wildenstein & Co., Inc., in New York on 23 December 1946. As part of the Kress Collection, the work carries an accession within that gift group at the NGA.
Earlier in its provenance, the painting passed through the collection of Madame Louis Stern in Paris by 1911 and was offered at the Galerie George Petit in Paris on 22 April 1929. Before that, it was listed in the estate sale of the maréchale duchesse de Raguse at the Hôtel des Commissaires-Priseurs in Paris on 14–15 December 1857. The painting originally belonged to the Swiss-born banker Jean Frédéric Perregaux, in whose 1808 postmortem inventory it was recorded hanging in the salon of his townhouse at 9, rue du Mont Blanc, valued at 120 francs.
Overview
Hubert Robert’s The Ponte Salario is an oil on canvas executed circa 1775. The composition presents a weathered stone bridge spanning a river, its arches framed by a dilapidated tower. Figures populate the banks and the bridge itself, engaged in mundane tasks such as washing laundry, while a solitary boat drifts in the distance. The sky is lightly clouded, lending a tranquil atmosphere to the scene.
Subject & Meaning
The painting juxtaposes the remnants of an ancient structure with everyday activity, suggesting a continuity between past and present. The crumbling tower and the bridge’s worn masonry evoke the passage of time, while the labor of the washerwomen and the leisure of those lounging on the bridge convey a lived-in, communal space. This blend of ruin and routine invites reflection on the persistence of human life amid historical decay.
Technique & Style
Robert employs a delicate handling of light to model the rough stone and the damp fabrics, creating a subtle chiaroscuro that highlights the texture of the bridge while casting deeper shadows in the river’s flow. The palette is muted, with soft blues and earth tones that reinforce the serene mood. The work reflects Rococo sensibilities through its decorative elegance and atmospheric rendering, yet retains Romantic interest in evocative landscapes.
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Artist & collection
Artist
Hubert Robert (French pronunciation:; 22 May 1733 – 15 April 1808) was a French painter in the school of Romanticism, noted especially for his landscape paintings and capricci, or semi-fictitious picturesque depictions of ruins in Italy…


















