Artwork

清 石濤 (朱若極) 廬山草堂圖 軸|Hermitage in Mount Lu

清   石濤  (朱若極)   廬山草堂圖   軸|Hermitage in Mount Lu, by Shitao, ink, 1675
清   石濤  (朱若極)   廬山草堂圖   軸|Hermitage in Mount Lu, by Shitao, ink, 1675

清 石濤 (朱若極) 廬山草堂圖 軸|Hermitage in Mount Lu is an ink painting by the Baroque artist Shitao. It dates from 1675 and is held in the collection of the Metropolitan Museum of Art.

About this work

Technique & Style

The support consists of a single sheet of paper mounted on a silk roller, intended for vertical display and careful handling.

The hanging scroll is executed in ink on paper, a format customary for Qing dynasty landscape works. It was created in 1675 in China, as recorded in the artwork’s provenance. The piece belongs to the landscape genre and represents a mountain, the dominant motif in Shitao’s oeuvre.

The support consists of a single sheet of paper mounted on a silk roller, intended for vertical display and careful handling. No detailed condition report is available in the cited records, and the formal style reflects the restrained ink washes and compositional balance typical of the period.

History & Provenance

The hanging scroll Hermitage in Mount Lu was created by the artist Shitao (Zhu Ruoji) in 1675. Executed in ink on paper, the work originates from China and falls within the landscape genre. The painting is currently held in the collection of the Metropolitan Museum of Art.

While the specific commission details and the full chain of ownership prior to its arrival at the museum are not detailed in the provided records, the work is definitively dated to the year 1675.

Overview

Shitao's "Hermitage in Mount Lu," created in 1675, is an ink on paper hanging scroll. This landscape painting depicts the majestic Mount Lu, a significant site in Chinese culture. The composition features a towering, mist-shrouded peak, a small dwelling nestled among the rocks, and a solitary pine tree clinging to the rugged terrain, conveying a sense of both grandeur and solitude within the natural world.

Subject & Meaning

The painting centers on Mount Lu, a renowned location in Chinese history and literature often associated with reclusion and spiritual contemplation. A small, simple hermitage is subtly integrated into the vast mountainscape, suggesting a retreat from the mundane world. The lone pine tree, a traditional symbol of endurance and steadfastness, further emphasizes the theme of resilience amidst nature's power and the pursuit of inner peace.

清  石濤(朱若極)  黃山三十六峰意圖  軸|Thirty-six Peaks of Mount Huang Recollected
清 石濤(朱若極) 黃山三十六峰意圖 軸|Thirty-six Peaks of Mount Huang Recollected, Shitao

Artist & collection

Portrait of Shitao

Artist

Shitao

Chinese, 1642–1707

Frequently asked questions

Who painted 清 石濤 (朱若極) 廬山草堂圖 軸|Hermitage in Mount Lu?

清 石濤 (朱若極) 廬山草堂圖 軸|Hermitage in Mount Lu was painted by Shitao in 1675.

Where can I see 清 石濤 (朱若極) 廬山草堂圖 軸|Hermitage in Mount Lu?

清 石濤 (朱若極) 廬山草堂圖 軸|Hermitage in Mount Lu is held by Metropolitan Museum of Art.

What movement is 清 石濤 (朱若極) 廬山草堂圖 軸|Hermitage in Mount Lu?

清 石濤 (朱若極) 廬山草堂圖 軸|Hermitage in Mount Lu is associated with Baroque.