Artwork
The prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

The prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Night is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. This painting illustrates a scene from the Tuti-nama, or "Tales of a Parrot," specifically depicting the Eighteenth Night.
About this work
Subject & Meaning
The work is housed in the Cleveland Museum of Art and dates to 1560, exemplifying courtly illustration of moral didactics.
The miniature from the Tuti‑nama shows a prince who, having removed a frog from its natural diet, offers the creature a fragment of his own flesh, a scene that also includes a cobra and a frog in the composition. The imagery draws on Mughal court patronage and reflects the narrative of the eighteenth night of the Persian tale, where self‑sacrifice and the reversal of natural order convey a moral lesson about charity and the consequences of depriving living beings of their proper sustenance. The work is housed in the Cleveland Museum of Art and dates to 1560, exemplifying courtly illustration of moral didactics.
History & Provenance
This painting is part of the Tuti-nama (Tales of a Parrot) manuscript, created circa 1560 during the Mughal Empire under the patronage of Emperor Akbar. The Cleveland Museum of Art holds the work (accession no. 1962.279.132.b), where it entered the collection in 1962. The manuscript’s provenance traces to Mughal imperial workshops, likely commissioned as part of a larger literary and artistic project under Akbar’s reign.
The Cleveland Museum of Art’s record confirms its Mughal origin and 16th-century dating, aligning with the manuscript’s broader production context.
Overview
This painting illustrates a scene from the Tuti-nama, or "Tales of a Parrot," specifically depicting the Eighteenth Night. It shows a prince offering a piece of his own flesh to a large cobra, which he had previously deprived of its natural prey, a frog. The dramatic encounter unfolds under a bright sky, with another figure observing the prince's act of self-sacrifice. The enormous snake, with its hood raised and intricately patterned scales, dominates the foreground.
Technique & Style
The painting employs vibrant colors and detailed rendering to convey the scene's intensity. The colossal cobra is meticulously depicted, showcasing individual scales and its characteristic raised hood, contributing to the dramatic atmosphere. Figures are clearly delineated, with the prince in white and yellow, and an observer in red and blue.
The composition places the central action prominently, enhanced by the bright sky and a tree, while script at the top identifies the specific narrative.
Context
This illustration belongs to a manuscript of the Tuti-nama, a renowned collection of 52 Persian tales, often presented as a frame story where a parrot narrates stories over 52 nights to prevent its mistress from leaving her husband. Such illustrated manuscripts were popular in the Islamic world, particularly in India and Persia, serving both as literary works and visual narratives. The presence of script suggests its origin within a tradition of illuminated texts.
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