Artwork

The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night)

The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night), unspecified, 1560
The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night), unspecified, 1560

The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night) is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art.

About this work

History & Provenance

The painting is dated to 1560 and was produced in the Mughal Empire by an unknown artist. It is recorded in the Cleveland Museum of Art under accession number 1962.279.47.b, having entered the museum’s collection in 1962. No further details about its earlier ownership, commission, or subsequent provenance are provided in the available sources.

Context

The miniature from the Tuti-nama depicting the gambler's vision of the jinn king's daughter appears in the Cleveland Museum of Art collection and was created circa 1560 in the Mughal Empire. The work is attributed to an unknown artist associated with the well-known entity e4351e9b02643402dd8c3bb0598c481d and is catalogued under accession number 1962.279.47.b. Scholarship situates this painting within the broader tradition of Mughal book arts, where narrative scenes from Persian-influenced manuscripts such as the Tuti-nama were rendered with meticulous detail and vibrant coloration. Its placement in a 16th‑century manuscript context underscores the cross‑cultural transmission of storytelling motifs across Persianate courts and the development of a distinct visual language that blended Indian, Persian, and Central Asian aesthetics.

Overview

The work illustrates a dramatic episode from the seventh night of the Persian collection Tuti‑nama, in which a Brahman gambler encounters the daughter of a jinn king within a pit. The composition centers on a man and a woman surrounded by an elderly figure and a cauldron of boiling oil, set against a sky that shifts from yellow to blue and a solitary tree on the right.

Subject & Meaning

The narrative captures a moment of peril and intrigue: the gambler, identifiable by his white turban and draped garment, faces the jinn princess, distinguished by a vivid red dress, while an old man, perhaps a guardian or witness, stands nearby. The presence of the oil cauldron suggests a test of courage or a threat, echoing the tale’s themes of risk and supernatural encounter.

Technique & Style

Executed with meticulous detail, the painting employs a bright palette of reds, whites, yellows, and blues. Contrasting hues delineate figures and background, creating spatial depth. Fine brushwork renders the textures of clothing, the sheen of the oil, and the foliage of the tree, reflecting the intricate illustrative tradition of Persian manuscript art.

The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night)
The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night)

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Where can I see The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night)?

The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night) is held by Cleveland Museum of Art.

What movement is The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night)?

The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night) is associated with Mughal Painting.