Artwork
Anbetung der Heiligen Drei Könige

Anbetung der Heiligen Drei Könige is an unspecified painting by the Early Baroque Italian artist Unknown. It dates from 1598 and is held in the collection of the Bavarian State Painting Collections.
About this work
Subject & Meaning
The artwork serves as a visual representation of this specific gospel narrative, focusing on the act of homage paid to the infant.
Created in 1594, this religious painting illustrates the Adoration of the Magi, a traditional biblical scene depicting the visit of the Three Kings to the newborn Jesus. The composition centers on the Christ Child as the primary figure of veneration. As a work attributed to the circle of Hans Rottenhammer the Elder, the image adheres to established iconographic conventions for this subject, emphasizing the recognition of Christ's divinity by earthly rulers.
The artwork serves as a visual representation of this specific gospel narrative, focusing on the act of homage paid to the infant.
Technique & Style
Anbetung der Heiligen Drei Könige is classified as a painting, depicting the adoration of the Magi with the Christ Child as a focal element of the religious scene. The work was produced in 1594 by a painter associated with the circle of Hans Rottenhammer the Elder. Its horizontal format is modest in scale, measuring 51.2 cm in height and 99.5 cm in width. The piece is held within the Bavarian State Painting Collections and housed at the Alte Pinakothek.
The available sources establish the work's classification, dimensions, date, and institutional location, but do not specify the medium, support, pigment, condition, or particular stylistic traits.
History & Provenance
The painting Anbetung der Heiligen Drei Könige was created in 1594 by an artist associated with the circle of Hans Rottenhammer d. Ä. It is currently held within the collection of the Bavarian State Painting Collections, specifically located at the Alte Pinakothek. The work depicts the Adoration of the Magi and measures 51.2 cm in height by 99.5 cm in width.
No specific details regarding the original commission, the identity of the initial patron, or the precise chain of ownership leading to the current museum are provided in the available records. The work remains categorized as a religious painting from the late 16th century.
Overview
The work titled Anbetung der Heiligen Drei Könige presents an interior scene in which a group of figures gathers around an infant held by a woman. The composition places the child at the centre of attention, with surrounding onlookers both seated and standing, their gazes directed toward the baby. The lighting is subdued, yet the faces and the drapery of the participants are rendered with clear detail.
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