Who painted 御所車図|Imperial Carts (Gosho guruma)?

御所車図|Imperial Carts (Gosho guruma) was painted by Unknown in 1650.

Where can I see 御所車図|Imperial Carts (Gosho guruma)?

御所車図|Imperial Carts (Gosho guruma) is held by Metropolitan Museum of Art.

What movement is 御所車図|Imperial Carts (Gosho guruma)?

御所車図|Imperial Carts (Gosho guruma) is associated with Baroque.

Artwork

御所車図|Imperial Carts (Gosho guruma)

Unknown , 1650

御所車図|Imperial Carts (Gosho guruma) is an ink painting by the Baroque artist Unknown. It dates from 1650 and is held in the collection of the Metropolitan Museum of Art. Imperial Carts (Gosho guruma) is a six-panel folding screen painting executed in ink, color, gold, and gold leaf on paper.

Accession no.: 62.98.5
Credit line: Gift of Mrs. P. H. B. Frelinghuysen, 1962

About this work

Overview

Imperial Carts (Gosho guruma) is a six-panel folding screen painting executed in ink, color, gold, and gold leaf on paper. The work depicts two ornate, covered carts set against a serene natural backdrop.

Subject & Meaning

The scene focuses on two elaborately decorated carts with distinctive curved roofs and vibrant interiors, one occupied by a figure, the other empty. The emphasis on detail and luxury suggests a representation of imperial or high-ranking ceremonial transport.

Technique & Style

The painting showcases meticulous attention to detail, evident in the intricate patterns on the carts and the liberal use of gold accents. The overall style blends traditional Japanese aesthetics with a sense of solemnity, underscored by the contrast between the vibrant carts and the calm, cloud-dotted sky.

Context

Created on a folding screen, the work is typical of Japanese interior decorative arts, designed to adorn and divide spaces in traditional residences. The medium and subject matter reflect the cultural and artistic preferences of Japan's elite during the Edo period.

Legacy

While the specific legacy of 'Imperial Carts' in terms of direct influence or fame is not detailed here, works of this nature contribute to the broader appreciation of Edo period art, particularly in the tradition of folding screen paintings that capture aspects of Japanese life and symbolism.