Who painted Krishna Ferrying Radha Across the Yamuna River?

Krishna Ferrying Radha Across the Yamuna River was painted by Unknown in 1890.

Where can I see Krishna Ferrying Radha Across the Yamuna River?

Krishna Ferrying Radha Across the Yamuna River is held by Cleveland Museum of Art.

What movement is Krishna Ferrying Radha Across the Yamuna River?

Krishna Ferrying Radha Across the Yamuna River is associated with Bengal School.

Artwork

Krishna Ferrying Radha Across the Yamuna River

Unknown , 1890

Krishna Ferrying Radha Across the Yamuna River is an unspecified painting by the Bengal School artist Unknown. It dates from 1890 and is held in the collection of the Cleveland Museum of Art.

Accession no.: 2003.130
Credit line: Gift of William E. Ward in memory of his wife, Evelyn Svec Ward

About this work

Overview

Krishna Ferrying Radha Across the Yamuna River is a 19th-century Kalighat painting depicting a scene from a popular drama. The work shows Krishna, disguised as a boatman, rowing Radha, his favored gopi, across the river, while another figure, likely a widow, observes from the bank.

Subject & Meaning

The painting illustrates a narrative of devotion and intense longing between separated lovers. Krishna's disguise as a boatman and Radha's demure demeanor highlight the complexity of their relationship, set against the serene backdrop of the Yamuna River. The inclusion of a possibly widowed figure on the shore introduces a note of solemnity or tension.

Technique & Style

Characterized by bold lines and vibrant colors, this small-scale painting reflects the distinctive quick and lively style of Kalighat art. Krishna is uniquely depicted with a mustache and a Prince Albert hairstyle, contrasting with traditional representations.

History & Provenance

Created in the 1800s, this painting was among those sold near Kolkata’s Kalighat temple, a hub for such artworks. Its origins tie it to a thriving market for religious and dramatic scene illustrations catering to local devotees and possibly travelers.

Context

The scene is derived from a popular play, indicating the intersection of religious mythology and theatrical performance in 19th-century Bengal. The artwork's themes and style catered to a broad audience, including those familiar with the Krishna-Radha legends and the cultural significance of the Kalighat temple.