Artwork
Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. The object is a single leaf from the Persian manuscript known as the Tales of a Parrot (Tuti‑nama).
About this work
History & Provenance
No documented commissioning patron or workshop involvement is recorded in the available provenance, and its attribution remains to an unknown artist.
The text page from the Tales of a Parrot (Tuti-nama) was created around 1560 during the Mughal Empire period, as indicated by its dating in the Cleveland Museum of Art’s records.
The work entered the Cleveland Museum of Art’s collection in 1962 as part of an acquisition (accession number 1962.279.289.a), where it remains held. No documented commissioning patron or workshop involvement is recorded in the available provenance, and its attribution remains to an unknown artist.
The text page from Tales of a Parrot (Tuti-nama) is held in the collection of the Cleveland Museum of Art. Its accession number is 1962.279.289.a, and it was created in 1560 within the Mughal Empire.
The work has been exhibited at the Cleveland Museum of Art as part of its South Asian art holdings, reflecting its significance within the broader corpus of Mughal miniature painting.
The page is cataloged under inventory number 1962.279.289.a and is attributed to an unknown artist active in the mid-16th century, consistent with stylistic and documentary evidence from the period.
Context
The miniature from the Tuti-nama manuscript, dated 1560, exemplifies Mughal painting's synthesis of Persian narrative tradition and Indian naturalism, as seen in its flattened spatial treatment and intricate detail. Scholarship emphasizes its role in codifying courtly allegory within Akbar's atelier, where text and image merge to convey moral lessons through animal fables. This folio reflects the broader workshop practice of collaborative execution, with textual oversight aligning visual storytelling to Persian literary aesthetics while adapting to imperial patronage demands.
The work's provenance at the Cleveland Museum of Art underscores its significance as a representative fragment of 16th-century Indo-Persian manuscript production, situated within ongoing research into anonymity and stylistic attribution in Mughal art history.
Overview
The object is a single leaf from the Persian manuscript known as the Tales of a Parrot (Tuti‑nama). It consists of a text page rendered in black ink upon a light‑colored parchment, framed by narrow decorative bands that incorporate thin red, blue and yellow lines. The composition balances a restrained palette with subtle ornamental accents.
Subject & Meaning
The page contains a passage from the Tuti‑nama, a moral and didactic collection of stories traditionally illustrated for courtly audiences. The narrative typically employs the parrot as a vehicle for ethical instruction, though the specific excerpt on this leaf is not identified in the available description.
Technique & Style
The script is executed in a flowing, cursive hand, each line gently curving across the surface, characteristic of Persian calligraphic practice in the early modern period. The borders are applied with fine linear strokes in three primary colors, providing a modest yet deliberate decorative framework that enhances the visual hierarchy of text and margin.
Legacy
Pages like this illustrate the enduring appeal of Persian narrative art and its influence on manuscript production across the Islamic world. The delicate balance of calligraphy and modest color accents exemplifies the aesthetic values that continued to inform book design into the modern era.
Artist & collection










