Artwork
Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. This object is a single folio from the illustrated manuscript known as Tales of a Parrot (Tuti‑nama).
About this work
History & Provenance
Attributed to an unknown artist and classified as a painting, it is held in the collection of the Cleveland Museum of Art under accession number 1962.
This text page from the Tales of a Parrot (Tuti-nama) was created in 1560 within the Mughal Empire. Attributed to an unknown artist and classified as a painting, it is held in the collection of the Cleveland Museum of Art under accession number 1962.279.101.a. No specific details regarding the original commissioner or the intermediate ownership history between its creation and its acquisition by the museum are provided in the available records, and the sources do not list specific exhibitions where the page has been displayed.
Context
The miniature exemplifies Mughal book-arts production of the mid-16th century, reflecting the court's patronage of illustrated Persianate narrative cycles. Its creation in the imperial atelier aligns with the stylistic synthesis characteristic of early Mughal manuscript illumination, where Persian compositional principles merged with emerging Indian visual sensibilities. The work's presence in the Cleveland Museum of Art collection underscores contemporary Western engagement with South Asian artistic heritage, as documented in institutional provenance records.
Scholarly analyses position this text page within the broader trajectory of Indo-Persian manuscript traditions, emphasizing its role in transmitting didactic literature across linguistic and cultural boundaries during the Akbar period.
Legacy
The page from the Tuti-nama, produced in the Mughal Empire around 1560, belongs to a manuscript tradition that helped shape the visual language of later illustrated Persian and Indo-Persian works, contributing to courtly narrative painting across South and Central Asia. The work is held in the collection of the Cleveland Museum of Art.
Overview
This object is a single folio from the illustrated manuscript known as Tales of a Parrot (Tuti‑nama). Rendered as a painted page, it presents dense black calligraphy on a pale beige ground, framed by thin red and blue bands that define a rectangular border.
Subject & Meaning
The page contains a segment of the narrative that recounts moral and romantic episodes centered on a talking parrot, a popular motif in Persian literary tradition. The text was composed for Prince Salim, indicating a courtly audience and a didactic purpose within the larger story.
Technique & Style
Ink is applied in a fluid, continuous hand, producing tightly packed lines of script that convey both readability and decorative intent. The surrounding borders employ a limited palette of red and blue pigments, applied in flat washes that contrast with the monochrome text, reflecting miniature manuscript aesthetics of the Safavid period.
Artist & collection










