Artwork

The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night

The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night, by Unknown, unspecified, 1560
The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night, by Unknown, unspecified, 1560

The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night is an unspecified painting by the Renaissance artist Unknown. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. This painting illustrates a scene from the Tuti-nama, a collection of tales told by a parrot to its owner, Khujasta.

Accession no.
1962.279.300.b

About this work

You see a woman in a red dress sitting under a tree, talking to a bright green parrot perched on a branch.

You see a woman in a red dress sitting under a tree, talking to a bright green parrot perched on a branch.

This painting comes from a book of stories told by a parrot to his owner, Khujasta. Each night, the parrot spins a tale to stop her from sneaking out to meet her lover. The stories are full of lessons about loyalty and trust.

If you like this, look up Mughal India, court of Akbar (reigned 1556–1605) to see more art from this time.

Overview

This painting illustrates a scene from the Tuti-nama, a collection of tales told by a parrot to its owner, Khujasta. It depicts the beginning of the forty-seventh night's story.

Subject & Meaning

The scene shows Khujasta, dressed in red, seated under a tree, engaged in conversation with a bright green parrot perched on a branch. The parrot recounts a moral tale to deter Khujasta from visiting her lover.

Technique & Style

The painting features a vibrant red and green background, with the figures of Khujasta and the parrot rendered against it. The use of bright colors is characteristic of the style.

Context

The Tuti-nama is a series of stories told by a parrot to its owner, with each tale intended to convey lessons on loyalty and trust.

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Who painted The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night?

The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night was painted by Unknown in 1560.

Where can I see The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night?

The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night is held by Cleveland Museum of Art.

What movement is The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night?

The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night is associated with Renaissance.