The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night
1560
unspecified
From the collection of Cleveland Museum of Art
1560
unspecified
From the collection of Cleveland Museum of Art
The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night is a 1560 unspecified by Unknown, a Renaissance work, held at Cleveland Museum of Art.
You see a woman in a red dress sitting under a tree, talking to a bright green parrot perched on a branch. This painting comes from a book of stories told by a parrot to his owner, Khujasta. Each night, the parrot spins a tale to stop her from sneaking out to meet her lover. The stories are full of lessons about loyalty and trust. If you like this, look up *Mughal India, court of Akbar (reigned 1556–1605)* to see more art from this time.
Against a brightly colored red and green background, Khujasta meets with Tuti the talking parrot. In order to keep her from leaving to visit her lover, the parrot tells Khujasta a moralizing story about four friends who were given magical shells by a wise man.
The flat planes of bold color were favored by Indian artists before the time of Akbar.
Read the full account in the museum source.
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