清 佚名 倣王翬 倣李成山水圖 軸|Landscape after Li Cheng

The work titled Landscape after Li Cheng was created in 1805 in China, as documented in and. It is an ink-on-silk hanging scroll attributed to the painter Wang Hui in, while records the piece as produced by an anonymous hand. The painting entered the collection of the Metropolitan Museum of Art, which holds it in its current location, establishing the ownership chain from its place of creation to the museum. No specific commission or patronage details are mentioned in the available sources.

The hanging scroll titled Landscape after Li Cheng, attributed to an anonymous follower of Wang Hui, dates to 1805 and is housed in the Metropolitan Museum of Art in New York. The museum lists the work in its collection of Chinese paintings and records its medium as ink on silk, measuring approximately 36.8 × 28.3 cm. It is classified as a landscape painting depicting mountainous scenery. No accession number or specific exhibition record is documented in the available sources, but the piece has been part of the Met’s permanent holdings since its acquisition.

This anonymous hanging scroll, rendered in ink on silk, presents a dramatic mountain landscape. Created during the Qing dynasty, likely in the 1700s, the work intentionally emulates the styles of earlier masters. Its title indicates an artistic lineage, referencing both the tenth-century painter Li Cheng and the seventeenth-century artist Wang Hui, suggesting a layered act of artistic homage and continuation within a long tradition.

This artwork exemplifies a significant practice in Chinese art history: the emulation of past masters. Rather than seeking novelty, artists often engaged in "fang" (仿) or "imitating" earlier styles to honor tradition and refine their skills. The anonymous nature of this scroll, combined with its clear stylistic references, underscores how artistic lineages and established aesthetic principles were preserved and transmitted across generations during the Qing dynasty.