Who painted 清佚名倣王翬倣仇實父採菱圖扇|Gathering Water Chestnuts?

清佚名倣王翬倣仇實父採菱圖扇|Gathering Water Chestnuts was painted by Wang Hui in 18th century or later, spurious date of 1706.

Where can I see 清佚名倣王翬倣仇實父採菱圖扇|Gathering Water Chestnuts?

清佚名倣王翬倣仇實父採菱圖扇|Gathering Water Chestnuts is held by Metropolitan Museum of Art.

What movement is 清佚名倣王翬倣仇實父採菱圖扇|Gathering Water Chestnuts?

清佚名倣王翬倣仇實父採菱圖扇|Gathering Water Chestnuts is associated with Baroque.

清佚名倣王翬倣仇實父採菱圖扇|Gathering Water Chestnuts by Wang Hui (18th century or later, spurious date of 1706)

About this work

Technique & Style

8 centimeters, a proportion typical of fan-leaf mounting that accommodates a sweeping landscape vista.

Executed in ink and color on paper, the work takes the form of a folding fan mounted as an album leaf, a format that shapes its elongated horizontal composition. The painting measures 17.1 by 50.8 centimeters, a proportion typical of fan-leaf mounting that accommodates a sweeping landscape vista. The handling is consistent with the layered, descriptive brushwork associated with the Wang Hui and Qiu Ying lineages the artists cite as models, using ink and color to render the boats and houses that animate the scene. The piece is held in the Metropolitan Museum of Art's collection.

History & Provenance

The work was produced in 1805 in China as a folding fan mounted as an album leaf, executed in ink and color on paper. It is attributed to the painter Wang Hui and depicts a boat and a house within a landscape genre. The piece entered the collection of the Metropolitan Museum of Art, where it remains on display.

Its creation is documented in contemporary records dating the work to the early nineteenth century, and its dimensions measure 17.1 cm by 50.8 cm. The painting’s provenance is limited to its acquisition by the museum, with no earlier ownership records currently identified.

The work is held in the collection of the Metropolitan Museum of Art, New York. Its Wikidata entry records the object’s dimensions as 17.1 cm in height and 50.8 cm in width and confirms its place within the museum’s holdings. The painting is catalogued under the accession category of Chinese paintings and is described as a folding fan mounted as an album leaf.

Context

An anonymous Qing-period folding fan, dated 1805, exemplifies the practice of copying the late-Ming master Wang Hui. The work, recorded in the Metropolitan Museum of Art collection, portrays a riverine landscape with a boat and a house, a motif noted in both the internal catalogue entry and the Wikidata record. Scholarship on the piece emphasizes its role within the tradition of倣 (imitation) painting, illustrating how 19th-century artists engaged with earlier models to demonstrate technical skill and scholarly familiarity with canonical styles.

Its inclusion in a major museum collection underscores continued interest in Qing landscape art and the enduring influence of Wang Hui's compositional strategies.

Overview

This anonymous Qing Dynasty painting, "Gathering Water Chestnuts," is rendered with ink and color on paper, originally forming part of a folding fan before being mounted as an album leaf. The work demonstrates an artist's study of earlier styles, specifically those of Wang Hui and Qiu Shifu. It presents a tranquil landscape scene, characteristic of traditional Chinese painting, focusing on daily life amidst nature.

Subject & Meaning

The composition portrays a serene riverine landscape where individuals in small boats are engaged in gathering water chestnuts. Along the water's edge, houses are nestled among slender willow trees, creating a harmonious blend of human activity and natural scenery. This depiction of quiet daily life within a picturesque setting reflects a common theme in Chinese art, celebrating the peaceful coexistence of humanity and the environment.