Artwork
清 王翬 太行山色圖 卷|The Colors of Mount Taihang

清 王翬 太行山色圖 卷|The Colors of Mount Taihang is an ink painting by the Baroque artist Wang Hui. It dates from 1669 and is held in the collection of the Metropolitan Museum of Art.
About this work
A long silk handscroll in ink and soft color: misty blue mountains, small trees, and a waterfall threading down the rocks. Wang Hui painted it in 1669, already known for copying old masters, but here he worked from the real peaks of northern China. The brushwork is light enough to feel the damp air.
Subject & Meaning
The composition emphasizes the grandeur and spiritual resonance of the natural environment, reflecting Daoist ideals of harmony between humanity and the cosmos.
The handscroll 清 王翬 太行山色圖 (The Colors of Mount Taihang), painted by Wang Hui in 1669, portrays a dramatic mountain landscape of the Taihang range, featuring towering peaks, a cascading waterfall, and winding streams rendered in ink with subtle color on silk. The composition emphasizes the grandeur and spiritual resonance of the natural environment, reflecting Daoist ideals of harmony between humanity and the cosmos. As documented in the Metropolitan Museum of Art's collection records, the work exemplifies the landscape genre of Qing dynasty painting, where rugged topography serves as a visual metaphor for endurance and transcendence.
Technique & Style
Created in 1669, The Colors of Mount Taihang is executed as a handscroll on silk, utilizing both ink and color. As a landscape painting by Wang Hui, the work depicts mountainous terrain and waterfalls, characteristic of the genre. The artist's handling of ink and pigment on the silk support facilitates the rendering of these natural elements.
The piece is currently held within the collection of the Metropolitan Museum of Art. Its formal qualities align with traditional Chinese landscape conventions, focusing on the depiction of mountains and flowing water within a continuous scroll format.
History & Provenance
The handscroll The Colors of Mount Taihang was painted by Wang Hui in 1669, as confirmed by both the internal corpus record and the Metropolitan Museum of Art's catalogue entry. The work was created during the Qing dynasty and depicts Mount Taihang's mountainous landscape with a waterfall. By the 20th century, it entered the collection of the Metropolitan Museum of Art, where it remains housed today.
Overview
The Colors of Mount Taihang is a handscroll executed in 1669 by the Qing dynasty master Wang Hui. Created when the artist was thirty-seven, this work marks a significant departure from his early reputation as a virtuoso copyist of ancient styles. Instead of relying solely on inherited models, Wang Hui synthesized direct observation of the northern Chinese landscape with rigorous academic brushwork.
The composition unfolds horizontally on silk, utilizing ink and soft mineral colors to depict the rugged topography of the Taihang Mountains. The scene features mist-shrouded peaks rendered in cool blue tones, interspersed with delicate vegetation and a waterfall cascading through rocky precipices. Tiny figures and structures are integrated into the vast terrain, emphasizing the sublime scale of nature.
The painting demonstrates Wang Hui's ability to merge the structural complexity of the Song dynasty tradition with a fresh, atmospheric sensibility. This piece stands as a pivotal moment in his career, foreshadowing his later role as the leading figure of the Orthodox School and his eventual commission to paint the Kangxi Emperor's southern inspection tours. It remains a definitive example of mid-Qing landscape painting, balancing technical precision with poetic evocation.
Artist & collection








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