William II, Prince of Orange, and his Bride, Mary Stuart

Executed in oil on canvas, this work exemplifies van Dyck's late Baroque portraiture, characterized by refined elegance and sophisticated handling. The large-format support (182.5 × 142 cm) accommodates a full-length depiction of the young couple against a backdrop of a column, tapestry, and open sky with clouds, elements typical of van Dyck's fluent compositional style. The prince is shown in an orange doublet and breeches with lace and a sword, while the bride wears a white embroidered dress and pearls, their attire rendered with precise brushwork that captures textures.

As one of van Dyck's last paintings, the work displays his mature, confident technique, though specific condition details are not recorded.

Painted in London in 1641, this double portrait was commissioned by the parents of William II, Prince of Orange, Frederick Henry, Stadtholder of the Netherlands, and Amalia of Solms-Braunfels, to commemorate the marriage of the fourteen-year-old prince to the nine-year-old Mary Henrietta Stuart, daughter of King Charles I of England. The wedding took place on 12 May 1641 in London, and the work is among Anthony van Dyck's final paintings before his death later that year. The painting entered the collection of the House of Orange-Nassau (collection of William V, Prince of Orange) and was later transferred to the Rijksmuseum in Amsterdam, where it remains today.

Anthony van Dyck's 1641 oil painting captures the dynastic union of nine-year-old Mary Stuart, daughter of King Charles I, and fourteen-year-old Willem II, Prince of Orange. This full-length double portrait commemorates their marriage, which took place in London on May 12 of that year. The subjects are depicted hand-in-hand, a traditional gesture symbolizing their bond.