Clytemnestre poussée par mimi Véron...

Executed as a lithograph, the print employs the medium’s capacity for fine line work and tonal variation. Daumier’s hand is evident in the crisp delineation of the curtain’s folds and the delicate rendering of the bird’s wings, while the softer, more fluid strokes in the right panel convey the immediacy of a fleeting, private scene. The contrast in texture reinforces the thematic dichotomy.

During the mid‑nineteenth century, Daumier contributed regularly to satirical journals such as La Caricature and Le Charivari, using his art to critique the monarchy, aristocracy, and clergy from a republican perspective. This lithograph fits within that broader program, employing humor and visual irony to comment on the social hierarchies and moral pretensions of contemporary French society.

While not among Daumier’s most widely reproduced images, the work illustrates his skill in merging narrative contrast with political commentary. It remains a useful example of how lithography enabled rapid dissemination of critical viewpoints, and it continues to be studied for its insight into the interplay between public spectacle and private vulnerability in nineteenth‑century French culture.