Artwork

La Potion

La Potion, by Honoré Daumier, ink, 1836
La Potion, by Honoré Daumier, ink, 1836

La Potion is an ink print by the Romanticist artist Honoré Daumier. It dates from 1836 and is held in the collection of the National Gallery of Art.

About this work

Overview

La Potion is a hand-colored lithograph created by Honoré Daumier in 1836, exemplifying his satirical approach to critiquing French society during the July Monarchy.

Subject & Meaning

The print depicts a comfortably dressed man in a state of discomfort, holding a spoon and a glass of yellow liquid, with a 'COPAINE' medicine bottle nearby. His contorted face reflects pain and discomfort, contrasting with the luxurious setting, suggesting satire of the social elite's vulnerabilities.

Technique & Style

Daumier employs visual humor and caricature in La Potion, characteristic of his work in publications like La Caricature and Le Charivari, where bold, expressive lines and selective coloring (e.g., the yellow liquid, red chair) enhance the comedic yet critical tone.

History & Provenance

Created in 1836, La Potion is part of Daumier's prolific output of satirical prints targeting the monarchy, aristocracy, and clergy during the July Monarchy. Specific provenance details are not provided.

Context

This work reflects Daumier's broader critique of French society's social and political structures during the July Monarchy, using satire to comment on the hypocrisies and frailties of the elite.

Legacy

La Potion contributes to Daumier's legacy as a prominent social satirist, influencing subsequent generations of artists in using caricature for political commentary. Its themes of social critique remain relevant.

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.