Artwork
Square Napoléon
Square Napoléon is an ink print by the Impressionist artist Honoré Daumier. It dates from 1870 and is held in the collection of the National Gallery of Art.
About this work
Overview
Honoré Daumier’s 1870 lithograph titled *Square Napoléon* presents a stark tableau of four upright gravestones beneath a turbulent sky. Each stone bears the inscription “Morts” followed by a locality and a year, two of them marked with skull‑and‑crossbones. The composition conveys a somber, immediate impression through brisk, unrefined line work.
Subject & Meaning
The gravestones reference casualties of the Franco‑Prussian War, linking the depicted deaths to specific battles through the dates and place names. By foregrounding mortality, Daumier critiques the human cost of the conflict and the political leadership associated with it, reflecting his republican opposition to the imperial regime.
Technique & Style
Executed in lithography, the print relies on bold, sketch‑like strokes that emphasize urgency and rawness. The limited tonal range and stark contrasts heighten the bleak atmosphere, while the repetitive motif of the gravestones reinforces the theme of collective loss.
History & Provenance
Created during the later phase of Daumier’s career as a political commentator, the work aligns with his contributions to satirical journals such as *La Caricature* and *Le Charivari*. It emerged shortly before the collapse of the Second French Empire, a period marked by intense public debate over the war’s outcome.
Context
The lithograph belongs to a broader tradition of 19th‑century French political prints that used visual satire to challenge authority. Daumier’s republican stance informed his choice of subject, positioning the piece within contemporary discourse on national identity and the consequences of militarism.
Legacy
*Square Napoléon* exemplifies Daumier’s ability to merge artistic expression with incisive social commentary. Its stark imagery continues to be studied as a visual document of the Franco‑Prussian War’s impact on French society and as a testament to the power of print media in political critique.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.
Prenant le titre ... de Mr de Girardin trop au sérieux ...
Les arènes législatives
Tombstones, Holy Trinity Churchyard, Hinton-in-the-Hedges
Rue de la Vieille lanterne (The Suicide of Gérard de Nerval)
Un cauchemar de M. Bismarck
Le Maraudeur
Discreet (Discrète)
a) La Borne, Verdun (recto); b) Wounded Soldier and First-Aid Man (verso)
The Duel (Le duel)
On the Lookout (Aux aguets)
L'Apoplexie allant remplacer a Londres la paralysie
H Beard Print Collection