Who painted Portrait of a Donor (recto); Saint Anthony of Padua (verso)?

Portrait of a Donor (recto); Saint Anthony of Padua (verso) was painted by Hans Memling in 1485.

Where can I see Portrait of a Donor (recto); Saint Anthony of Padua (verso)?

Portrait of a Donor (recto); Saint Anthony of Padua (verso) is held by Art Institute of Chicago.

What movement is Portrait of a Donor (recto); Saint Anthony of Padua (verso)?

Portrait of a Donor (recto); Saint Anthony of Padua (verso) is associated with Northern Renaissance.

Can I buy a print of Portrait of a Donor (recto); Saint Anthony of Padua (verso)?

Museum-quality prints of Portrait of a Donor (recto); Saint Anthony of Padua (verso) are available made-to-order from Artifact World Gallery.

Artwork

Portrait of a Donor (recto); Saint Anthony of Padua (verso)

Hans Memling , 1485

Portrait of a Donor (recto); Saint Anthony of Padua (verso) is an oil painting by the Northern Renaissance artist Hans Memling. It dates from 1485 and is held in the collection of the Art Institute of Chicago. This double-sided panel painting features a portrait on one side and an image of Saint Anthony of Padua on the other.

Accession no.: 79777
Credit line: Gift of Arthur Sachs

About this work

Overview

This double-sided panel painting features a portrait on one side and an image of Saint Anthony of Padua on the other. Originally part of a diptych, it was designed to be viewed in conjunction with a companion piece, Virgin and Child.

Technique & Style

The Saint Anthony image is rendered in grisaille, a monochromatic technique using shades of beige and gray to create a sculptural effect. This style was used to create a visual contrast with the colorful interior of the diptych.

Subject & Meaning

The painting served as a transition between the external, earthly realm and the internal, sacred space. Visual elements, such as Saint Anthony's toe extending beyond the frame, helped to bridge the two realms.

History & Provenance

The panel was once hinged to a Virgin and Child painting, forming a diptych. The portrait side is now worn, while the Saint Anthony side remains well-preserved.