Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer

The painting was created by Jacopo Tintoretto in 1577, with the inception date recorded as 23 December 1577. Executed in oil on canvas, it was produced as a religious work depicting Doge Alvise Mocenigo being presented to the Redeemer. The canvas, measuring 97.2 by 198.1 centimeters, entered the collection of the Metropolitan Museum of Art, where it remains held.

The sources document the work's creation date, medium, and current institutional ownership, but do not provide details on the original commission, early patronage, or the chain of custody prior to its acquisition by the Metropolitan Museum of Art.

The painting Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer, attributed to Jacopo Tintoretto and dated 1577, is housed in the Metropolitan Museum of Art in New York. The work is recorded as part of the museum’s collection, though no specific accession or inventory number is disclosed in the available documentation. Its dimensions are noted as approximately 97.2 cm by 198.1 cm. The sources do not mention any exhibition record for the piece, indicating that it has not been listed in publicly documented exhibitions up to the present.

The painting’s provenance is tied to its presentation to the titular redeemer, and it remains on view in the museum’s European art galleries.

Jacopo Tintoretto’s 1577 oil on canvas, Doge Alvise Mocenigo Presented to the Redeemer, exemplifies late‑century Venetian religious painting. The work, recorded in the artist’s catalogue and detailed in the Metropolitan Museum of Art’s collection entry, portrays the doge before symbolic figures of Mark the Evangelist, a lion, an angel, and Christ, underscoring the ceremonial link between civic authority and divine patronage. Its inclusion in a major museum highlights the painting’s enduring significance within Tintoretto’s oeuvre and the broader narrative of 16th‑century Venetian art.

This oil painting, titled Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer, depicts a significant religious and political event. The composition centers on a kneeling figure, presumably the Doge, surrounded by various individuals in a grand, expansive setting. The work utilizes a palette of both vibrant and subdued tones, creating a distinct visual atmosphere.