Who painted Untitled?

Untitled was painted by Jan Lodewijk Jonxis in 1840.

Where can I see Untitled?

Untitled is held by Rijksmuseum.

What movement is Untitled?

Untitled is associated with Biedermeier.

Can I buy a print of Untitled?

Museum-quality prints of Untitled are available made-to-order from Artifact World Gallery.

Artwork

Untitled

Jan Lodewijk Jonxis , 1840

Untitled is an unspecified painting by the Biedermeier artist Jan Lodewijk Jonxis. It dates from 1840 and is held in the collection of the Rijksmuseum.

About this work

Overview

This untitled work, executed by Jan Lodewijk Jonxis (1789–1867), depicts a domestic toilet table topped with a slab of green‑hued malachite. The composition focuses on the object's form and decorative elements, presenting a quiet study of early‑nineteenth‑century interior furnishing.

Subject & Meaning

The painting records a piece of furniture that served both practical and ornamental purposes in a private setting. By isolating the table, Jonxis highlights the material richness and the status associated with such an item, offering insight into the aesthetic preferences of its owners.

Technique & Style

Rendered in a restrained palette, the artist employs careful brushwork to convey the reflective sheen of gilt bronze accents against the deep, veined surface of the malachite. The treatment reflects the neoclassical attention to detail and the emerging interest in exotic materials that characterized Parisian decorative arts of the period.

History & Provenance

The work is believed to have been created in Paris between roughly 1810 and 1825, a time when gilt bronze (brass) ornamentation was fashionable in French interiors. Jonxis, a Dutch painter active in the early nineteenth century, likely produced the piece for a patron interested in contemporary French design trends.

Context

During the early 1800s, malachite was prized for its vivid color and was frequently used in high‑end furniture and decorative objects. The combination of metal gilding and stone surfaces reflects the cross‑cultural exchange of materials and styles that accompanied the post‑Napoleonic revival of luxury interiors.