Artwork
Rest on the flight to Egypt

Rest on the flight to Egypt is an oil painting by the Dutch Golden Age artist Paulus van Vianen. It is held in the collection of the Rijksmuseum.
About this work
Technique & Style
As a religious painting, the piece adheres to the formal conventions of the genre, depicting the biblical narrative of the Flight into Egypt.
Paulus van Vianen executed Rest on the flight to Egypt in 1643 using oil paint applied to a canvas support. The work measures 84 cm in height and 110 cm in width. As a religious painting, the piece adheres to the formal conventions of the genre, depicting the biblical narrative of the Flight into Egypt. The medium and support combination is consistent with Dutch painting practices of the mid-seventeenth century.
History & Provenance
The oil painting Rest on the Flight to Egypt was created by Paulus van Vianen in 1643. Executed on canvas, the work measures 84 cm in height and 110 cm in width. Historical records indicate that the piece was once owned by Abraham Bredius before entering the collection of the Rijksmuseum.
The artwork depicts the religious subject of the Holy Family resting during their flight into Egypt and is classified as religious art.
Legacy
The painting Rest on the flight to Egypt by Paulus van Vianen influenced Baroque religious art through its emotional portrayal of the Holy Family’s journey. Its composition informed later interpretations of the Flight into Egypt theme, particularly in Dutch Golden Age works. The work remained in the collection of Abraham Bredius, contributing to scholarly attention on van Vianen’s output. The Rijksmuseum’s continued display of the piece reinforces its role in narratives of 17th-century Dutch religious painting.
Overview
Rest on the Flight to Egypt is a 1643 oil painting from the Dutch Golden Age, depicting a serene religious scene. Created by Paulus van Vianen, a figure associated with the Baroque auricular style, the work is part of the Rijksmuseum's collection.
Subject & Meaning
The painting illustrates a moment from the biblical narrative of the Flight to Egypt, showing the Holy Family at rest. A woman, presumably the Virgin Mary, sits on a rock with the infant Jesus, while Joseph stands behind her. Another kneeling child (often interpreted as a youthful John the Baptist in similar scenes, though not explicitly identified here) reaches toward them, suggesting a symbolic or familial connection. The tranquil atmosphere conveys a sense of peace and intimacy.
Context
This painting sits at the intersection of Northern Mannerism's intricacy and the expressive lighting of early Baroque. Van Vianen's multifaceted artistic practice (encompassing sculpture, silversmithing, and painting) influenced the auricular style, known for its sinuous, ear-like forms, though this specific work's connection to the style is more about its thematic and lighting choices than overt auricular elements.
Own this work as a print
Artist & collection
Artist
Paul van Vianen or Paulus Willemsz van Vianen (1570–1614) was a silversmith, medallist and sculptor of the Northern Netherlands, trained in Northern Mannerism but then important in developing the Baroque auricular style with his brother…










