Who painted The Hat Pin (Le chapeau épingle)?

The Hat Pin (Le chapeau épingle) was painted by Pierre-Auguste Renoir in 1897.

Where can I see The Hat Pin (Le chapeau épingle)?

The Hat Pin (Le chapeau épingle) is held by National Gallery of Art.

What movement is The Hat Pin (Le chapeau épingle)?

The Hat Pin (Le chapeau épingle) is associated with Impressionism.

Can I buy a print of The Hat Pin (Le chapeau épingle)?

Museum-quality prints of The Hat Pin (Le chapeau épingle) are available made-to-order from Artifact World Gallery.

Artwork

The Hat Pin (Le chapeau épingle)

Pierre-Auguste Renoir , 1897

The Hat Pin (Le chapeau épingle) is an ink print by the Impressionist artist Pierre-Auguste Renoir. It dates from 1897 and is held in the collection of the National Gallery of Art. The work titled Le chapeau épingle (The Hat Pin) is a lithographic print executed by Auguste Renoir in 1897.

Inscription: Inscribed:recto: in stone, at lower right: Renoir. 97; in black chalk [or crayon?] at lower right: Renoir; verso: none
Markings: Marked:recto: none; verso: National Gallery of Art

About this work

Overview

The work titled Le chapeau épingle (The Hat Pin) is a lithographic print executed by Auguste Renoir in 1897. Produced on laid paper and rendered in a limited red palette, the piece measures a modest size typical of the artist’s intimate studies and reflects his late‑period interest in everyday domestic scenes.

Subject & Meaning

The composition depicts two women inside a modest interior. One figure is captured in the act of adjusting a hat, her fingers delicately pinching the fabric, while the second woman observes her, her gaze turned slightly away. The quiet interaction suggests a moment of private routine, emphasizing the subtle gestures that define daily life.

Technique & Style

Renoir employed the lithographic process, drawing directly onto a flat limestone surface with a greasy medium. The ink, applied to the stone, transfers to the paper, producing lines that retain both the immediacy of a sketch and a faint, softened edge. The artist’s use of loose, rapid strokes and muted brown tones creates a sense of spontaneity within the printed medium.

History & Provenance

Created toward the end of Renoir’s career, the print forms part of his broader exploration of printmaking in the 1890s. While specific ownership records are limited, the work has been catalogued among Renoir’s lithographic output and appears in several reference collections documenting his late period.