Artwork

Church of Santa Maria della Febbre, Rome

Church of Santa Maria della Febbre, Rome, by Pieter Jansz Saenredam, oil, 1629
Church of Santa Maria della Febbre, Rome, by Pieter Jansz Saenredam, oil, 1629

Church of Santa Maria della Febbre, Rome is an oil painting by the Baroque artist Pieter Jansz Saenredam. It dates from 1629 and is held in the collection of the National Gallery of Art. Pieter Jansz.

Inscription
Inscribed:lower center on paper attached to base of obelisk: P. Saenreda.fe. / Ao 1629

About this work

Technique & Style

Physical evidence on the reverse of the panel includes two seals, though their imprints are no longer legible.

Executed in 1629, this work is an oil painting applied to a wooden panel support. The artist, Pieter Jansz. Saenredam, utilized the medium to render a landscape view of the Church of Santa Maria della Febbre in Rome.

Physical evidence on the reverse of the panel includes two seals, though their imprints are no longer legible. The composition measures 37.8 cm in height and 70.5 cm in width. While the specific handling of the brushwork is not detailed in the available records, the classification as a landscape painting within the oil-on-panel tradition defines its primary formal qualities.

History & Provenance

Painted in 1629 by Pieter Jansz. Saenredam, this oil on panel depicting the Church of Santa Maria della Febbre in Rome entered the historical record as a possession of King Frederick of Prussia, though the specific monarch remains unidentified due to illegible seals on the reverse. The work appeared at a Frederik Muller and Co. auction in Amsterdam on November 25, 1924, where it was likely purchased by agent Huber on behalf of collector Anton W.M. Mensing.

Following Mensing's death, the painting was sold from his estate in Amsterdam on November 15, 1938. It subsequently passed through the hands of dealer D.A. Hoogendijk and collector J.A.G. Sandberg before returning to Hoogendijk by 1953. Acquired by Frederick A. Stern, Inc. of New York, the panel was sold in 1954 to the Samuel H. Kress Foundation, which gifted it to the National Gallery of Art in Washington, D.C., in 1961.

The painting entered the collection of the National Gallery of Art in Washington, D.C., in 1961 as a gift from the Samuel H. Kress Foundation, having been purchased by the foundation in 1954. Prior to this, the work passed through several private collections in the Netherlands, including those of Anton W.M. Mensing and J.A.G. Sandberg, following its sale from the estate of King Friedrich of Prussia in Amsterdam in 1924.

While the specific inventory number is not detailed in the available records, the work is cataloged within the museum's Samuel H. Kress Collection. There is no documented exhibition history provided in the current sources.

Context

The 1629 oil‑on‑panel landscape by Pieter Jansz Saenredam was originally documented in a 1924 sale catalogue as belonging to a Prussian monarch, later passing through the collection of Anton Mensing before entering the Kress family holdings and being gifted to the National Gallery of Art in 1961. Scholars tracing its provenance have emphasized the work’s role in illustrating Saenredam’s contribution to Dutch Golden Age landscape painting and its significance within the Samuel H. Kress Collection. The painting’s dimensions (37.8 × 70.5 cm) and material have been recorded in catalogues, underscoring its technical and historical relevance.

Overview

Pieter Jansz. Saenredam, a prominent Dutch Golden Age painter, completed "Church of Santa Maria della Febbre, Rome" in 1629. This oil on panel work presents an exterior view of a Roman church, a departure from his more common depictions of interior architectural spaces.

The painting exemplifies his meticulous approach to rendering structures and light, capturing a tranquil moment within a historic urban setting.

Subject & Meaning

The painting portrays a serene street scene before the Church of Santa Maria della Febbre. A central column bears the church's name, while weathered stone walls and arched entrances define the structure. Everyday life unfolds with a horse-drawn carriage and pedestrians moving through the quiet space. The aged buildings, softened by natural light and subtle plant growth, contribute to a calm, timeless atmosphere.

View of Rome
View of Rome, Paolo Anesi

Artist & collection

Portrait of Pieter Jansz Saenredam

Artist

Pieter Jansz Saenredam

Pieter Janszoon (abbr. Jansz.) Saenredam (9 June 1597 – buried 31 May 1665) was a painter of the Dutch Golden Age, known for his distinctive paintings of whitewashed church interiors such as Interior of St Bavo's Church…

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Who painted Church of Santa Maria della Febbre, Rome?

Church of Santa Maria della Febbre, Rome was painted by Pieter Jansz Saenredam in 1629.

Where can I see Church of Santa Maria della Febbre, Rome?

Church of Santa Maria della Febbre, Rome is held by National Gallery of Art.

What movement is Church of Santa Maria della Febbre, Rome?

Church of Santa Maria della Febbre, Rome is associated with Baroque.