Who painted Standing Woman?

Standing Woman was painted by Tōsendō Rifū in 1730-01-01.

Where can I see Standing Woman?

Standing Woman is held by Metropolitan Museum of Art.

What movement is Standing Woman?

Standing Woman is associated with Ukiyo-e.

Can I buy a print of Standing Woman?

Museum-quality prints of Standing Woman are available made-to-order from Artifact World Gallery.

Artwork

Standing Woman

Tōsendō Rifū , 1730

Standing Woman is an unspecified painting by the Ukiyo-e artist Tōsendō Rifū. It dates from 1730 and is held in the collection of the Metropolitan Museum of Art.

About this work

Subject & Meaning

Standing Woman by Tōsendō Rifū is a portrait depicting a woman. The work is dated 1730, was made in Japan, and is now held in the Metropolitan Museum of Art. The available sources do not provide further detail on the sitter's identity, attire, pose, or any iconographic content, so the painting's specific meaning cannot be expanded upon.

History & Provenance

Standing Woman by Tōsendō Rifū, dated 1730, was made in Japan and is held in the collection of the Metropolitan Museum of Art as part of its Japanese holdings. No specific inventory or accession number is recorded in the available sources, and no exhibition history is documented.

Context

Standing Woman is a 1730 portrait by the Japanese artist Tōsendō Rifū, depicting a solitary woman. Made in Japan before entering the collection of the Metropolitan Museum of Art, it offers a documented example of mid-Edo portraiture for the study of Japanese figurative art of the period.

Overview

Tōsendō Rifū completed the painting Standing Woman in 1730. This artwork is a portrait of a female figure, presented with a tranquil expression and posture. The piece is currently housed within the collection of The Metropolitan Museum of Art, representing an example of Japanese artistry from the early 18th century that focuses on human subjects.

Technique & Style

The artist's meticulous rendering of the woman's tranquil facial features, downcast eyes, and clasped hands underscores her contemplative state.

Rifū utilized a warm, golden background to highlight the central figure and enhance the painting's serene mood. The artist's meticulous rendering of the woman's tranquil facial features, downcast eyes, and clasped hands underscores her contemplative state. The detailed portrayal of her traditional attire, combined with a subtle color palette, exemplifies the refined aesthetic prevalent in Japanese painting during this historical period.