Artwork

Leaf from a Kalighat album: Parvati Placing a Wedding Garland on Shiva (recto); Yasoda Churning Butter (verso)

Leaf from a Kalighat album: Parvati Placing a Wedding Garland on Shiva (recto); Yasoda Churning Butter (verso) is an unspecified painting by the Bengal School artist Unknown. It dates from 1890 and is held in the collection of the Cleveland Museum of Art. This Kalighat album leaf presents two contrasting scenes on its recto and verso.

Accession no.: 2003.108
Credit line: Gift of William E. Ward in memory of his wife, Evelyn Svec Ward

About this work

Overview

This Kalighat album leaf presents two contrasting scenes on its recto and verso. Executed in a distinctive style blending bold colors with simple, expressive compositions, the work exemplifies the characteristic fusion of traditional and Western influences found in Kalighat paintings from 19th-century Bengal, India.

Subject & Meaning

The recto depicts Parvati placing a wedding garland on Shiva, symbolizing marital devotion, while the verso shows Yasoda churning butter, illustrating domestic piety. These scenes juxtapose divine and mundane realms, reflecting the everyday spirituality characteristic of Kalighat art.

Technique & Style

The painting combines elements of Impressionism and Realism, though its bold, vibrant colors and straightforward arrangements are more akin to traditional Kalighat aesthetics. The light brown background unifies the dual composition.

History & Provenance

Originating from 19th-century Bengal, this piece is part of the Kalighat tradition, which emerged as a response to British colonial influence, blending local themes with Western artistic practices. Specific provenance details for this leaf are not provided.

Context

Created during the colonial era in India, this work reflects the cultural exchange and artistic evolution of the time. Kalighat paintings, like this one, were often produced for both local and foreign audiences, making them a unique product of cross-cultural interaction.