Artwork
Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. This object is a painted page from the Persian manuscript known as Tales of a Parrot, or Tuti‑nama.
About this work
History & Provenance
Created in 1560 within the Mughal Empire, this text page from the Tuti-nama (Tales of a Parrot) was produced by an artist whose identity is unrecorded.
Created in 1560 within the Mughal Empire, this text page from the Tuti-nama (Tales of a Parrot) was produced by an artist whose identity is unrecorded. The work entered the collection of the Cleveland Museum of Art, where it is cataloged under accession number 1962.279.4.a. The circumstances of its original commission and its ownership history prior to the museum's acquisition are not detailed in the available records, and no specific exhibition history is provided for this folio.
Context
The folio exemplifies Mughal court patronage of Persianate storytelling in the mid-sixteenth century, reflecting the cosmopolitan artistic milieu of Akbar's reign. Its inclusion in the Cleveland Museum of Art collection situates it within a rare surviving illustrated Tuti-nama manuscript, a genre that blended Safavid narrative traditions with Indian visual idioms. The work documents cross-cultural exchange through illustrated texts, and its stylistic synthesis, Persian figural conventions paired with emerging naturalistic detail, marks an early phase in Mughal manuscript production, bridging earlier Timurid formats and later imperial Akbar-era commissions.
Overview
This object is a painted page from the Persian manuscript known as Tales of a Parrot, or Tuti‑nama. Executed as a text page rather than an illustrated spread, it presents a continuous block of black calligraphy framed by a narrow red margin. The page measures the full width of the folio, with the script filling the surface in orderly, rhythmic lines.
Subject & Meaning
The calligraphic text contains a segment of the narrative that recounts the legendary adventures of a talking parrot, a popular motif in medieval Persian literature. Though the visual element is limited to script, the story’s moral and entertainment value are conveyed through the lyrical language and its structured presentation.
Technique & Style
The script was rendered by hand, evident in subtle irregularities of each letter that betray a skilled scribe’s touch. The black ink is applied in fluid strokes that vary in thickness, creating a sense of movement across the page. A thin red border, painted with a fine brush, delineates the text area and adds a modest decorative accent.
Legacy
Although lacking pictorial decoration, the page exemplifies the high level of calligraphic artistry achieved in Persian manuscript culture. Its preservation allows scholars to study the script’s form, the material qualities of Safavid book production, and the transmission of popular narrative texts across centuries.
Artist & collection










