Portrait of a painter (self-portrait?)

The work was created in 1615 in the Northern Low Countries on a copper support, recorded as an anonymous self-portrait by an unidentified male sitter. After its making it entered the collection of Jacob Eduard van Heemskerck van Beest, remained in that family holding until the mid‑20th century, and was subsequently acquired by the Rijksmuseum where it is presently held.

The work's legacy stems from its attribution as a rare early self-representation by a painter active in the Dutch Golden Age, influencing scholarly discussions on self-portraiture and workshop practices. Its presence in the Rijksmuseum collection and attribution to the Northern Low Countries have cemented its status as a key example of 17th-century portraiture on copper support.

Created in 1615, this copper painting presents a half‑length portrait of a man turned slightly toward his left shoulder. He wears a dark jacket trimmed with a white, ruffled collar, and his short, curly hair frames a thoughtful gaze. The composition includes a modest array of objects behind him, suggesting both personal and professional identity.

The sitter appears to be an artist, as indicated by the palette and brushes placed among his belongings. A sword and a shield bearing a coat of arms accompany these tools, hinting at a dual role or status, perhaps linking artistic practice with noble or martial affiliation. The pose and introspective expression convey contemplation of his craft.