Who painted Ragini Bangali, Page from a Jaipur Ragamala Set?

Ragini Bangali, Page from a Jaipur Ragamala Set was painted by Unknown in 1757.

Where can I see Ragini Bangali, Page from a Jaipur Ragamala Set?

Ragini Bangali, Page from a Jaipur Ragamala Set is held by Art Institute of Chicago.

What movement is Ragini Bangali, Page from a Jaipur Ragamala Set?

Ragini Bangali, Page from a Jaipur Ragamala Set is associated with Rajput painting.

Artwork

Ragini Bangali, Page from a Jaipur Ragamala Set

Unknown , 1757

Ragini Bangali, Page from a Jaipur Ragamala Set is an unspecified painting by the Rajput painting artist Unknown. It dates from 1757 and is held in the collection of the Art Institute of Chicago. The work is a miniature painting from a Jaipur Ragamala set, depicting a domestic interior scene.

About this work

Overview

The work is a miniature painting from a Jaipur Ragamala set, depicting a domestic interior scene. A woman seated on a richly patterned rug is surrounded by three other women, one holding a fan and another playing a stringed instrument. A large yellow animal, likely a lion or tiger, reclines beside them. The background shows a white, domed building, a green field and a blue sky.

Subject & Meaning

The composition presents a leisurely gathering of women, emphasizing social interaction and music within a private space. The inclusion of the exotic animal adds a note of prestige or protection, while the fan and instrument suggest cultural practices of entertainment and hospitality.

Technique & Style

Executed in the Jaipur school of miniature painting, the piece features intricate detailing on the rug and garments, with vivid reds, greens, yellows and blues. Fine brushwork renders the textures of fabric and fur, while the flat yet precise perspective creates a decorative, ornamental effect typical of ragamala illustrations.

History & Provenance

Ragamala series were popular in 18th‑century northern India, linking visual art with musical modes. This page originates from a Jaipur set, indicating it was likely produced for a courtly patron interested in the synthesis of music, poetry, and painting.

Context

Jaipur’s artistic output blended Mughal influences with local Rajput aesthetics, favoring bright palettes and elaborate patterns. The scene reflects courtly leisure, a common theme in ragamala works that visualized the moods of specific ragas through narrative imagery.