Artwork
Roundel with Saint Peter as Pope
Roundel with Saint Peter as Pope is an unspecified painting. It dates from 1525 and is held in the collection of the Metropolitan Museum of Art. This circular painting, known as a roundel, presents Saint Peter in his capacity as Pope.
About this work
Subject & Meaning
By presenting Peter as head of the Church, the work underscores the theological foundation of papal primacy and the apostolic succession.
The roundel portrays Saint Peter in the role of Pope, identified by the papal tiara and the traditional attributes of his office. In Catholic iconography the tiara signifies the supreme pontifical authority, while the keys he holds reference the biblical promise of the 'keys to the kingdom of heaven' (Matthew 16:19). By presenting Peter as head of the Church, the work underscores the theological foundation of papal primacy and the apostolic succession.
Executed in 1525, the piece belongs to the religious painting genre and is part of the Metropolitan Museum of Art's collection, reflecting its place within early-sixteenth-century devotional art.
History & Provenance
The Roundel with Saint Peter as Pope is an anonymous religious painting dated to 1525. Created during the early sixteenth century, the work depicts Saint Peter in his papal role. It is currently held in the collection of the Metropolitan Museum of Art. No specific commission details, original patron, or early ownership records are provided in the available documentation.
Overview
This circular painting, known as a roundel, presents Saint Peter in his capacity as Pope. The composition features a prominent, richly robed figure adorned with a golden halo and a crown, holding a staff and a set of keys. A smaller individual gazes upwards at the saint, set against a subdued background featuring indistinct dark forms.
The artwork is encircled by a decorative border with gold accents and an inscription in Latin, characteristic of religious art from its period.
Technique & Style
Rendered in a roundel format, this painting employs traditional iconographic elements to convey its religious subject. The artist depicts Saint Peter with elaborate vestments and a radiant golden halo, emphasizing his sanctity and importance. The background is intentionally understated, featuring minimal, dark shapes that suggest either architectural elements or natural forms, thereby directing the viewer's attention to the primary figures.
The decorative circular frame, embellished with gold lines and a Latin inscription, enhances the artwork's formal presentation and its devotional context.
Artist & collection
