Artwork
The parrot addresses Khujasta at the beginning of the fiftieth night, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
The parrot addresses Khujasta at the beginning of the fiftieth night, from a Tuti-nama (Tales of a Parrot): Fiftieth Night is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. The work portrays a seated woman framed by a richly patterned wall.
About this work
History & Provenance
The work entered the museum’s holdings in 1962 and has remained there since; no exhibition history is recorded in the available sources.
Created in 1560 within the Mughal Empire, this painting is attributed to an unknown artist. The work, identified by the accession number 1962.279.316.a, entered the collection of the Cleveland Museum of Art in 1962. No further details regarding its specific commission, earlier ownership history, or creation circumstances prior to its museum acquisition are provided in the available records.
The painting is held in the collection of the Cleveland Museum of Art in Cleveland, Ohio, under accession number 1962.279.316.a. It is a Mughal miniature dating to circa 1560, created in the Mughal Empire, and is classified as a painting. Its inception is listed as 1560-01-01.
The work entered the museum’s holdings in 1962 and has remained there since; no exhibition history is recorded in the available sources.
Overview
The work portrays a seated woman framed by a richly patterned wall. She wears a blue blouse and an orange skirt, accented with gold ornaments, while a parrot perched in a cage to her right catches her attention. A window and door open onto a deeper interior space, lending the composition a sense of cultivated domesticity.
Subject & Meaning
The scene derives from a tale in the Tuti‑nama, a collection of stories featuring a talking parrot. The woman’s focused gaze toward the bird suggests a moment of communication or revelation, echoing the narrative moment when the parrot addresses Khujasta at the start of the fiftieth night. The setting underscores themes of dialogue and intrigue within a refined household.
Technique & Style
Rendered with careful brushwork, the painting balances decorative surface patterning on the wall with the smoother modeling of the figures. The contrast of cool blues and warm oranges, together with the gleam of gold jewelry, creates a harmonious palette. Linear perspective is suggested by the receding wall, window, and door, providing depth without abandoning the ornamental emphasis typical of Persian narrative art.
Context
Illustrative scenes from the Tuti‑nama were popular in Persian manuscript traditions, often serving both decorative and didactic purposes. By translating a literary episode into a painted tableau, the artist aligns with a broader cultural practice of visualizing moral and romantic stories for elite audiences, reflecting the taste for refined storytelling in courtly environments.
Artist & collection
- The parrot addresses Khujasta at the beginning of the fiftieth night, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
The parrot addresses Khujasta at the beginning of the thirty-eighth night, from a Tuti-nama (Tales of a Parrot)
The parrot addresses Khujasta at the beginning of the thirty-first night, from a Tuti-nama (Tales of a Parrot)
The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot)
The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot)
The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot)
The Parrot Addresses Khujasta at the Beginning of the Thirteenth Night, from a Tuti-nama (Tales of a Parrot)
The Parrot Addresses Khujasta at the Beginning of the Fifteenth Night, from a Tuti-nama (Tales of a Parrot)
The parrot addresses Khujasta at the beginning of the forty-third night, from a Tuti-nama (Tales of a Parrot)
The Parrot Addresses Khujasta at the Beginning of the Twenty-fifth Night, from a Tuti-nama (Tales of a Parrot)
The parrot addresses Khujasta at the beginning of the forty-second night, from a Tuti-nama (Tales of a Parrot)
The parrot addresses Khujasta at the beginning of the fortieth night, from a Tuti-nama (Tales of a Parrot)
The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot)
The parrot addresses Khujasta at the beginning of the forty-first night, from a Tuti-nama (Tales of a Parrot): Forty-first Night
The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night