Artwork
Bandō Mitsugorō II as Shinbei in the Kabuki Play "Sukeroku"
Bandō Mitsugorō II as Shinbei in the Kabuki Play "Sukeroku" is an unspecified painting by the Ukiyo-e artist Utagawa Toyokuni I. It dates from 1799 and is held in the collection of the Metropolitan Museum of Art.
About this work
Overview
Created in 1799 by Utagawa Toyokuni I, this woodblock print depicts the kabuki actor Bandō Mitsugorō II in the role of Shinbei from the play 'Sukeroku'.
Created in 1799 by Utagawa Toyokuni I, this woodblock print depicts the kabuki actor Bandō Mitsugorō II in the role of Shinbei from the play 'Sukeroku'. The composition presents the actor in a dynamic three-quarter view, capturing a moment of theatrical intensity characteristic of the Utagawa school's actor prints. Mitsugorō is shown wearing elaborate robes featuring a striking combination of red, blue, and white, with intricate patterns adorning the sleeves and lower garments.
His posture is assertive, with his left hand resting on his hip and his right hand holding a prop essential to the character's performance. The background remains largely plain, directing full attention to the figure, while faint decorative elements and Japanese text frame the scene, providing context for the specific play and role. This work exemplifies Toyokuni I's mastery in capturing the expressive energy of kabuki actors during the late Edo period, contributing significantly to the development of the yakusha-e genre.
The print reflects the artist's ability to convey both the physical presence and the dramatic persona of the performer, solidifying his reputation as a leading figure in Japanese ukiyo-e art.
Subject & Meaning
The artwork focuses on Bandō Mitsugorō II, a prominent Kabuki performer, embodying the character Shinbei. He is depicted in a dynamic, sideways pose, dressed in elaborate, brightly colored robes featuring red, blue, and white patterns. The actor's costume and posture convey the theatricality of his role, suggesting a moment from the stage production.
His left hand rests on his hip, while his right holds an unseen object, further emphasizing his dramatic presence.
Context
During the late 18th century, actor portraits were a popular genre in Japanese art, reflecting the widespread appeal of Kabuki theater. Artists like Utagawa Toyokuni I specialized in capturing the likenesses and stage personas of renowned actors, often depicting them in their most famous roles. These works served as both artistic expressions and a form of celebrity endorsement, allowing audiences to admire their favorite performers beyond the stage.
Own this work as a print
Artist & collection
Artist
Toyokuni was a born showman who made sure the energy of Edo’s kabuki stage never faded on paper.
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