Adeline Ravoux

Executed in June 1890 at Auvers-sur-Oise, this portrait utilizes oil paint applied to a canvas support. The work measures approximately 50.2 by 50.5 centimeters. As a portrait of the twelve-year-old Adeline Ravoux, the composition focuses on the subject's likeness without elaborate background elements, consistent with van Gogh's late-period approach to portraiture.

The handling of the medium reflects the artist's characteristic application of oil pigments, though specific brushwork details are not explicitly described in the available records. The painting remains in the collection of the Cleveland Museum of Art, where its physical condition is maintained as part of their permanent holdings. The work represents one of the final portraits created by the artist shortly before his death later that summer.

Portrait of Adeline Ravoux, an oil on canvas portrait painted in June 1890 while Vincent van Gogh lodged at the Ravoux inn in Auvers‑sur‑Oise, depicts the innkeeper’s twelve‑year‑old daughter. The work was created during Van Gogh’s final months and reflects his interest in family members of his host. It remained in the possession of the Ravoux family before entering the collection of the Cleveland Museum of Art, where it is catalogued as a portrait from 1890.

The painting’s material, dimensions and provenance are recorded in museum records, confirming its creation in Auvers‑sur‑Oise and its acquisition by the museum.

The painting Adeline Ravoux by Vincent van Gogh, executed in June 1890, is held in the collection of the Cleveland Museum of Art. Its inventory number is 1958.31, as recorded in the Wikidata entry for the work. The painting entered the museum's holdings in 1958, the accession year embedded in that identifier.

The available sources confirm the Cleveland Museum of Art as the sole holding institution and do not provide information on prior owners, earlier exhibition venues, or display history beyond the museum's acquisition.

The portrait of Adeline Ravoux, painted in June 1890, is part of the Cleveland Museum of Art’s collection, where it is studied as a key example of Van Gogh’s late portraiture. Adeline’s personal memoir, recounting her witness of Van Gogh’s return after his suicide attempt, provides a rare contemporary perspective that has shaped biographical accounts of the artist and influenced how his final months are interpreted. Scholars cite this testimony when discussing Van Gogh’s psychological state and artistic output during the Auvers‑sur‑Oise period, reinforcing the work’s role in the broader narrative of his legacy.

Vincent van Gogh's Adeline Ravoux, an oil painting from June 1890, captures a singular figure with a quiet intensity. This work, created during the artist's final months, exemplifies a more subdued approach in his late period. It is currently housed within the collection of The Cleveland Museum of Art, offering a glimpse into van Gogh's intimate portraiture.

This portrait was completed in June 1890, a mere few months before Vincent van Gogh's death in July of the same year. Its creation places it among the last works the artist produced, offering insight into his artistic focus during a pivotal and final chapter of his life. The subdued nature of the painting may reflect the introspective period he experienced in Auvers-sur-Oise.