Subject

Lantern

The New Bonnet — Eastman Johnson

Lantern is a subject in art. The gallery holds 42 works in this subject in art, including works by Eastman Johnson, John Singer Sargent and Hubert Robert.

A lantern is a source of lighting, often portable. It typically features a protective enclosure for the light source – historically usually a candle, a wick in oil, or a heated mesh, and often a battery-powered light in modern times – to make it easier to carry and hang up, and make it more reliable outdoors or in drafty interiors.

Key artists

Overview

A lantern is a portable or fixed source of lighting featuring a protective enclosure around a light source, historically a candle, an oil wick, or a heated mesh. This enclosure, typically constructed from metal, glass, paper, or thin animal horn, shields the flame from wind, rain, and mechanical impact, making the light more reliable outdoors and in drafty interiors while reducing the risk of fire from stray sparks. Beyond mere illumination, lanterns have served as vital tools for signaling in naval and railroad operations, as well as important elements in religious, cultural, and artistic contexts across the world.

Iconography & meaning

In art and visual culture, the lantern carries layered symbolic meanings related to guidance, spiritual illumination, mortality, and social order. In Eastern Orthodox religious processions, lanterns precede the processional cross, and they are used to transport the Holy Fire from the Church of the Holy Sepulchre. During the Chinese Ghost Festival, lotus-shaped lanterns set afloat in waterways symbolically guide lost souls to the afterlife. In European visual traditions, the lantern often represents the transience of life and the futility of earthly pursuits, as seen in vanitas still life paintings. Conversely, during the French Revolution, the lantern took on a darker symbolism of popular revolt, where the phrase "a la lanterne" meant to hang counter-revolutionaries from the iron supports of street lanterns, turning a symbol of public order into an instrument of mob execution.

Across movements & periods

The treatment of the lantern in visual and material culture shifts significantly across periods and cultures. In medieval Europe, lanterns were primarily functional objects carried by night watchmen, constructed with metal frames and panes of scraped animal horn or glass. By the sixteenth century, wrought-iron hanging lanterns became subjects of artistic design and training. In medieval Aquitanian Europe, stone lanterns crowned freestanding cemetery pillars as lanterns of the dead, a tradition rooted in folk beliefs that faded with the Renaissance. In East Asia, paper and bamboo lanterns became central to festive traditions, while durable stone lanterns, such as the Japanese ishi-doro and Korean stone lanterns, served as permanent fixtures at temples, shrines, and graves. The eighteenth century saw the transition from simple glass and candle lanterns to oil-fueled reflector lanterns, or reverberes, which modernized urban street lighting, a shift well documented in the modernization of Paris.

Legacy

The legacy of the lantern extends beyond its functional obsolescence into specialized cultural, technological, and archival afterlives. Mechanically, the lantern evolved into the magic lantern, an early slide projector invented in the seventeenth century that became a precursor to modern cinema and data projection. The magic lantern's educational and commercial slides, produced by companies like the Keystone View Company in the early twentieth century, are now preserved as significant historical artifacts in institutions such as the Smithsonian's National Museum of American History. In the religious sphere, dedicated museums like the Lantern Museum in Vitoria-Gasteiz, Spain, preserve the metal and glass lanterns used in the Rosary of the Lanterns procession, maintaining a tradition dating to 1895. Meanwhile, specialized archives such as the Lantern Vault and the Morehead Railroad and Historical Museum preserve the industrial heritage of railroad and signal lanterns, documenting the material culture of manufacturers like the Adams and Westlake Manufacturing Company.

Works

Every work in this catalog is in the public domain; images come from the museums that hold them. Spotted an error in this record? Tell us.

Frequently asked questions

What is Lantern?

Lantern is a subject in art. A lantern is a source of lighting, often portable.

How many Lantern works does Artifact World Gallery have?

Artifact World Gallery holds 42 public-domain Lantern works, all free to view and download.

Who are the key Lantern artists?

Key Lantern artists in the collection include Eastman Johnson, John Singer Sargent and Hubert Robert.

Where can I see Lantern works?

Lantern works in the collection are held by Metropolitan Museum of Art, Victoria and Albert Museum and Bucharest Municipality Museum.