Who painted Drie gezichten op de Parelrivier: Kanton, Macao, Whampoa?

Drie gezichten op de Parelrivier: Kanton, Macao, Whampoa was painted by Unknown in 1949.

Where can I see Drie gezichten op de Parelrivier: Kanton, Macao, Whampoa?

Drie gezichten op de Parelrivier: Kanton, Macao, Whampoa is held by Rijksmuseum.

What movement is Drie gezichten op de Parelrivier: Kanton, Macao, Whampoa?

Drie gezichten op de Parelrivier: Kanton, Macao, Whampoa is associated with Patna School of Painting.

Artwork

Drie gezichten op de Parelrivier: Kanton, Macao, Whampoa

Unknown , 1949

Drie gezichten op de Parelrivier: Kanton, Macao, Whampoa is an unspecified painting by the Patna School of Painting artist Unknown. It dates from 1949 and is held in the collection of the Rijksmuseum.

About this work

Ships crowd the water, buildings line the shores, and tiny figures go about their day.

You see three busy river scenes side by side, Canton, Macao, and Whampoa in 1773. Ships crowd the water, buildings line the shores, and tiny figures go about their day.

This painting was made for European traders who worked in China. It shows the exact ports where they did business, almost like a map. The artist included details that let historians pinpoint the year.

To see more paintings of global trade ports, visit the Rijksmuseum.

Overview

Drie gezichten op de Parelrivier: Kanton, Macao, Whampoa is a painting depicting three river scenes in southern China. Created in 1773, it shows the ports of Canton, Macao, and Whampoa, key locations for European trade.

Subject & Meaning

The painting presents a tripartite view of the Pearl River estuary, illustrating the bustling commercial activity in the region. It highlights the ports used by European traders, including the anchorage at Whampoa and the offices in Canton.

Technique & Style

The artist rendered the scene with attention to detail, capturing the layout of buildings, the variety of ships, and the daily activities of the people. The level of detail allows for precise dating and identification of the locations.

Context

The painting was created for European traders operating in China, serving as a visual representation of their commercial environment. It reflects the significance of the Pearl River region in international trade during the 18th century.