Artwork
François de Jullienne (1722–1754) and Marie Elisabeth de Jullienne (Marie Elisabeth de Séré de Rieux, 1724–1795)
François de Jullienne (1722–1754) and Marie Elisabeth de Jullienne (Marie Elisabeth de Séré de Rieux, 1724–1795) is an unspecified painting by the Academic Art artist Charles-Antoine Coypel. It dates from 1743 and is held in the collection of the Metropolitan Museum of Art.
About this work
Technique & Style
Created in 1743, this double portrait by Charles-Antoine Coypel is executed in oil paint on canvas, adhering to the academic art movement.
Created in 1743, this double portrait by Charles-Antoine Coypel is executed in oil paint on canvas, adhering to the academic art movement. The work measures 100 cm in height and 80 cm in width, presenting the sitters, François and Marie Elisabeth de Jullienne, within a formal composition typical of mid-eighteenth-century French portraiture. While specific details regarding the handling of the brushwork, the current physical condition of the support, or the precise texture of the paint layers are not detailed in the provided records, the piece is classified as a painting that captures the likeness of the two subjects.
The formal qualities align with the genre of the double portrait, emphasizing the status and presence of the depicted individuals through the established conventions of the period.
History & Provenance
Charles-Antoine Coypel executed this double portrait in 1743, depicting François de Jullienne and his wife Marie Elisabeth de Jullienne (née de Séré de Rieux). The work, measuring 100 by 80 cm, was created during the height of the academic art movement. While specific details regarding the original commission or the immediate ownership chain following its creation are not explicitly detailed in the available records, the painting eventually entered the collection of the Metropolitan Museum of Art, where it remains housed. The inception date is recorded as 1743.
Overview
Charles-Antoine Coypel painted this double portrait in 1743, depicting François de Jullienne and his wife, Marie Elisabeth. The work exemplifies the Rococo style prevalent in mid-18th century France, characterized by its elegant and often intimate portrayal of subjects. The couple is shown in a relaxed pose, reflecting a shift towards more informal portraiture during this period. This painting is now part of The Metropolitan Museum of Art's collection.
Context
Charles-Antoine Coypel was a prominent figure in the French art world of his time. Beyond his role as a painter, he held significant institutional positions, including court painter to the king and director of the prestigious Académie Royale. He also inherited the title of Keeper of the Paintings and Drawings of the King, overseeing the royal art collection.
These roles underscore his influence and the high esteem in which he was held, making him a sought-after artist for portraits of the era's elite.
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Artist & collection
Artist
Charles-Antoine Coypel (French pronunciation:; 11 July 1694 – 14 June 1752) was a French painter, art critic, and playwright.
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