The Doge's Palace Seen from San Giorgio Maggiore

Monet painted the work in late 1908 during a brief stay in Venice, executing six versions of the same view to capture changing daylight conditions. He returned to France with many canvases unfinished and spent several years preparing 29 paintings for exhibition. In 1912 Monet presented the Venetian series, including this composition, at the Bernheim-Jeune gallery in Paris.

The Doge’s Palace Seen from San Giorgio Maggiore was later acquired by the Metropolitan Museum of Art, where it has remained in the permanent collection.

The Doge's Palace Seen from San Giorgio Maggiore is held in the permanent collection of the Metropolitan Museum of Art in New York. While the specific inventory or accession number is not provided in the sources, the work is catalogued as W1755 in the Wildenstein catalogue raisonné. The painting was first exhibited in Paris in 1912 as part of the successful show Claude Monet Venise at the Bernheim-Jeune gallery, where it was displayed alongside twenty-eight other Venetian views.

Following this exhibition, the work traveled internationally before being acquired by the Metropolitan Museum of Art, where it remains today.

Created during a brief 1908 sojourn in Venice, this work belongs to a series of six views capturing varying light conditions, a hallmark of Monet's serial approach developed earlier in his career. Although executed late in his life after his style was firmly established, some scholarship suggests the series was less successful than his earlier works because Monet was forced to complete many canvases from memory in Paris rather than on site. Despite these constraints, the Venice paintings are now regarded as masterpieces that encapsulate his signature impressionist style and the unique atmosphere of the city.

Contemporary critic Guillaume Apollinaire praised the works for their realism, arguing that Monet stripped away the city's mystique to reveal the ordinary reality of its morning mists. The series debuted to acclaim in 1912 at the Bernheim-Jeune gallery in Paris before entering the collection of the Metropolitan Museum of Art.

Although Claude Monet spent only a brief period in Venice, works initiated there, including this depiction of the Doge's Palace, are regarded as some of his most highly regarded masterpieces. These paintings are celebrated for capturing his signature style and the influence of the effervescent Venetian sunset. Following its debut at the successful 1912 exhibition in Paris, the work traveled internationally before finding its permanent home at the Metropolitan Museum of Art in New York.

While some contemporary critics like Guillaume Apollinaire praised the series for its realism in depicting morning mist, other assessments suggest the specific Doge's Palace versions were less successful because Monet was forced to complete the series from memory after returning to France.

Claude Monet's 1908 oil painting, The Doge's Palace Seen from San Giorgio Maggiore, captures a specific Venetian vista. It is part of a larger group of works depicting this same subject, a characteristic approach for the artist. This particular rendition, catalogued W1755 in the Wildenstein catalogue raisonné, is housed within the Metropolitan Museum of Art's collection.