Artwork
L'honneur d'être parrain

L'honneur d'être parrain is an ink print by the Romanticist artist Honoré Daumier. It dates from 1844 and is held in the collection of the National Gallery of Art.
About this work
Overview
L'honneur d'être parrain is a lithograph on newsprint created by Honoré Daumier in 1844, exemplifying his satirical approach to art. This print critiques social hierarchies, reflecting Daumier's republican democratic views.
Subject & Meaning
The print depicts a domestic scene with a man and woman engaged in an unidentified activity, each holding cylindrical objects possibly related to food or household chores. The everyday setting contrasts with the satirical undertone, likely commenting on societal roles or class.
Technique & Style
Executed in lithography on newsprint, the work showcases Daumier's proficiency in the medium. While the style touches on Romanticism's emphasis on daily life, its primary function as satire aligns more closely with the caricatural traditions of the time.
History & Provenance
Produced for publications like *La Caricature* and *Le Charivari*, this lithograph was designed for mass dissemination, leveraging these outlets to reach a broad audience during the July Monarchy and early Second Republic.
Context
Created amidst the political and social upheavals of the July Monarchy transitioning into the Second Republic, the work reflects Daumier's ongoing critique of monarchical and clerical hierarchies, resonating with republican sentiments of the era.
Legacy
As part of Daumier's extensive satirical oeuvre, *L'honneur d'être parrain* contributes to his legacy as a pioneering printmaker and social commentator, influencing future generations of artists in using art for political and social critique.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.



















