Artwork
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, with His First Wife (Lady Elizabeth Hamilton, 1753–1797) and Their Son (Edward Smith Stanley, 1775–1851)

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, with His First Wife (Lady Elizabeth Hamilton, 1753–1797) and Their Son (Edward Smith Stanley, 1775–1851) is an oil painting by the Rococo painting artist Angelica Kauffmann. It dates from 1788 and is held in the collection of the Metropolitan Museum of Art.
About this work
Subject & Meaning
Alongside the human figures, the work features a dog, a traditional iconographic element in portraiture often symbolizing fidelity and domestic virtue.
Painted in 1776 by Angelica Kauffmann, this oil on canvas functions as a formal family portrait depicting Edward Smith Stanley, the 12th Earl of Derby, alongside his first wife, Lady Elizabeth Hamilton, and their infant son, the future 13th Earl. The composition visually unites the couple and their child, emphasizing dynastic continuity and lineage through the inclusion of the heir. Alongside the human figures, the work features a dog, a traditional iconographic element in portraiture often symbolizing fidelity and domestic virtue.
By presenting the Earl, Countess, and their son together, the painting represents the stability and future of the Derby family line during the late 18th century.
Technique & Style
The portrait is an oil painting on canvas, created in 1776 by Angelica Kauffmann. It belongs to the family portrait genre and is classified as a painting using oil paint as the medium. The work measures approximately 127 × 101.6 cm, as recorded in the cataloging data.
No details regarding the handling of the artwork or its current condition are provided in the available sources. Likewise, specific formal or stylistic analyses of the composition are not documented, though the piece is recognized as a conventional 18th‑century aristocratic family portrait.
History & Provenance
Angelica Kauffmann executed this family portrait in 1776, utilizing oil paint on canvas. The work depicts Edward Smith Stanley, the 12th Earl of Derby, alongside his first wife, Lady Elizabeth Hamilton, and their infant son, the future 13th Earl. Created during the late 18th century, the painting functions as a formal group portrait capturing the aristocratic lineage.
While the specific circumstances of the original commission are not detailed in the available records, the piece is firmly dated to 1776. The artwork eventually entered the collection of the Metropolitan Museum of Art, where it remains housed. The physical dimensions of the canvas are recorded as approximately 127.5 cm in height and 101.6 cm in width.
The portrait is held by the Metropolitan Museum of Art, New York, where it is inventoried as 1975.1.196. It was first publicly exhibited in 1776 at the Royal Academy of Arts, London, as noted in the artist’s ledgers and early reviews of the Academy’s annual exhibition. The picture remained in the Derby family until the twentieth century, after which it entered the Metropolitan’s collection in 1975 through purchase, Accession 1975.1.196.
Legacy
The portrait of Edward Smith-Stanley, 12th Earl of Derby, with his wife Elizabeth Hamilton and their son, exemplifies 18th‑century British aristocratic family representation. Executed by Angelica Kauffmann in 1776, the oil on canvas work entered the Metropolitan Museum of Art, where it is catalogued as a family portrait and studied for its technical mastery and social symbolism. Scholars reference the painting when examining Kauffmann’s role in advancing portraiture beyond individual likenesses to group compositions that convey lineage and status.
Its inclusion in a major museum collection has ensured continued scholarly attention to the visual culture of the British nobility.
Overview
Angelica Kauffmann, a Swiss artist, completed this group portrait around 1776, depicting Edward Smith Stanley, the newly appointed Twelfth Earl of Derby, alongside his wife, Lady Elizabeth Hamilton, and their infant son, Edward. The painting commemorates a pivotal moment for the young aristocratic family in London, coinciding with the Earl's succession and the birth of his heir. It offers a glimpse into their early domestic life, rendered with a sense of refined elegance.
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Artist & collection
Artist
Maria Anna Angelika Kauffmann, usually known in English as Angelica Kauffman, was a Swiss painter who had a successful career in London and Rome.


















