1458
tempera
panel
From the collection of Art Institute of Chicago
Ecce Agnus Dei is a 1458 tempera by Giovanni di Paolo, a Early Renaissance work, held at Art Institute of Chicago.
You see a thin man in a camel-hair robe pointing at a lamb on a book. This is John the Baptist announcing Jesus as the “Lamb of God.” The gold leaf behind them isn’t just decoration—it was meant to glow like heaven in candlelight. The painting was once part of a set of doors that opened to show a saint’s relics. Look up more panels in the Art Institute of Chicago.
This series of panels illustrates scenes from the life of Saint John the Baptist, a prophet who foretold Jesus’s arrival as the Christian savior. The Art Institute’s collection includes six panels that were originally part of a group of 12 that possibly formed the doors of a reliquary shrine to the saint. The narrative begins as John leaves civilization, entering the wilderness to become a hermit. In a following scene, John wears a hair shirt, a coarse undergarment symbolizing his ascetic life, as he announces that Jesus is the savior prophesied as the Agnus Dei, the Lamb of God. Subsequent…
Edourd Aynard, Lyons, by 1907 [see Perkins 1907]; sold Galerie Georges Petit, Paris, December 1–4, 1913 no. 51, to Kleinberger, Paris, as agent for Martin A. Ryerson (died 1932), Chicago, 1914 [an entry for June 18, 1914, in Ryerson’s notebook reads: “Bot [sic] of Kleinberter, Paris, 6 panels by Giovanni di Paolo (purchased by him at Aynard sale for 160 000 fr + 10%);” Art Institute Archives]; on loan to the Art Institute from 1914; bequeathed to the Art Institute, 1933.
New York, F. Kleinberger Galleries, Italian Primitives, 1917, no. 55. New York, The Metropolitan Museum of Art, Loan Exhibition of the Arts of the Italian Renaissance, May 7–September 9, 1923, no. 13. London, Royal Academy of Arts, Exhibition of Italian Art, 1200–1900, January–March, 1930, no. 928. Art Institute of Chicago, A Century of Progress, June 1–November 1, 1933, no. 85b. Art Institute of Chicago, A Century of Progress, June 1–November 1, 1934, no. 29b. Cleveland Museum of Art, Twentieth Anniversary Exhibition, June 26–October 4, 1936, no. 138. Art Institute of Chicago, The Children’s…
Read the full account in the museum source.
Giovanni di Paolo di Grazia was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts.
See the richer artist pageYour cart is empty
Explore artworks →
![Scenes from the Passion of Christ: The Descent into Limbo [right panel]](https://pub-3a17a9933ad74fb28aa30fa758592f23.r2.dev/artworks/9eb5d32175c31b6f/thumb.webp)
