Who painted Bamboo in Fine Weather after Rain?

Bamboo in Fine Weather after Rain was painted by Ike Taiga in 1758-01-01.

Where can I see Bamboo in Fine Weather after Rain?

Bamboo in Fine Weather after Rain is held by Cleveland Museum of Art.

What movement is Bamboo in Fine Weather after Rain?

Bamboo in Fine Weather after Rain is associated with Nanga.

Can I buy a print of Bamboo in Fine Weather after Rain?

Museum-quality prints of Bamboo in Fine Weather after Rain are available made-to-order from Artifact World Gallery.

Artwork

Bamboo in Fine Weather after Rain

Ike Taiga , 1758

Bamboo in Fine Weather after Rain is an unspecified painting by the Nanga artist Ike Taiga. It dates from 1758 and is held in the collection of the Cleveland Museum of Art.

About this work

History & Provenance

The work is now held in the collection of the Cleveland Museum of Art, where it is catalogued under accession number 1958.

Bamboo in Fine Weather after Rain was created by Ike no Taiga in 1758, as recorded in the work's cataloguing data. The painting originated in Japan, where it was produced during the artist's career in the mid-eighteenth century.

The work is now held in the collection of the Cleveland Museum of Art, where it is catalogued under accession number 1958.337. The 1958 designation in the accession number indicates that the museum formally acquired the painting in 1958, establishing its current ownership and place within the Cleveland Museum of Art's holdings.

Bamboo in Fine Weather after Rain is held in the collection of the Cleveland Museum of Art in Cleveland. The work is identified by the accession number 1958.337. Created in 1758 by Ike no Taiga, the painting depicts a Japanese subject and remains part of the museum's holdings.

Overview

Created in 1758 by the Edo‑period painter and calligrapher Ike no Taiga, Bamboo in Fine Weather after Rain is a two‑panel screen painting now in the Cleveland Museum of Art. Executed within the nanga, or bunjinga, tradition, the work exemplifies the Japanese literati’s fascination with Chinese-inspired brushwork and poetic landscapes.

Subject & Meaning

The composition presents two vertical screens populated by slender bamboo stalks, scattered rocks and a distant mountain range. A light, mist‑like atmosphere suggests recent rain, while the clear sky conveys a sense of renewal. The bamboo, a symbol of resilience and flexibility, is rendered in a tranquil setting that invites contemplation of nature’s quiet cycles.

Technique & Style

Taiga employs swift, expressive brushstrokes that vary from faint, almost erased marks to deeper, more saturated lines, creating a dynamic contrast between illuminated bamboo and shadowed background. Small ink dots hint at lingering droplets, while the overall palette remains subdued, emphasizing the painter’s mastery of ink wash and the nanga emphasis on spontaneity over precise detail.