Madonna and Child, with the Blessing Christ [middle panel]

Fuller (1875–1963) in New York, as recorded by Fern Rusk Shapley in the 1979 _Catalogue of the Italian Paintings_.

The panel was painted in 1415 by Martino di Bartolomeo in tempera on panel. By 1924 it was in a private collection in London, the owner of which remained unnamed in F. Mason Perkins's published discussion but was evidently a knowledgeable amateur who had himself suggested the Martino di Bartolomeo attribution; old photographs of the work are noted in NGA curatorial files as having belonged to Robert Langton Douglas. The painting subsequently passed into the collection of Samuel L. Fuller (1875–1963) in New York, as recorded by Fern Rusk Shapley in the 1979 _Catalogue of the Italian Paintings_.

Fuller gave the panel to the National Gallery of Art in Washington, D.C., in 1950, where it remains today.

The panel is held by the National Gallery of Art in Washington, D.C., where it entered the collection in 1950 as a gift from Samuel L. Fuller (1875–1963) of New York. Before reaching the NGA, the painting was in a private collection in London by 1924, when it was discussed by F. Mason Perkins in the Rassegna d'Arte Senese; the collector's name was not disclosed in that publication, though a later note from Ellis Waterhouse (22 July 1980) in NGA curatorial files refers to old Langton Douglas photographs of the work. The painting is recorded in Fern Rusk Shapley's 1979 Catalogue of the Italian Paintings (vol. 1, p. 303).

No exhibition history beyond these provenance-related publications is documented in the available sources.