Who painted Untitled?

Untitled was painted by Ogata Kōrin in 1687.

Where can I see Untitled?

Untitled is held by Metropolitan Museum of Art.

What movement is Untitled?

Untitled is associated with Baroque.

Artwork

Untitled

Ogata Kōrin , 1687

Untitled is an ink painting by the Baroque artist Ogata Kōrin. It dates from 1687 and is held in the collection of the Metropolitan Museum of Art.

About this work

Subject & Meaning

It belongs to the landscape genre and was created in Japan, where it remains today in the Metropolitan Museum of Art, New York; its dimensions measure 29.

The work titled Untitled, painted by Ogata Kōrin in 1687, is a hanging scroll executed in ink and color on silk. It belongs to the landscape genre and was created in Japan, where it remains today in the Metropolitan Museum of Art, New York; its dimensions measure 29.8 cm by 41.9 cm.

The composition depicts a man, a tree, and a woman, the three figures recorded as the subjects of the painting. No additional iconographic or symbolic meaning is provided in the documented sources.

Technique & Style

Created in 1687, this work by Ogata Kōrin is executed as a hanging scroll using ink and color applied to a silk support. The piece measures 29.8 cm in height and 41.9 cm in width. As a landscape painting, the composition depicts a man, a woman, and a tree.

The artist's handling of ink and pigment on the silk medium defines the formal qualities of this Japanese artwork.

Overview

Ogata Kōrin, a leading figure of the Rinpa School, created "Untitled" in 1687. This hanging scroll, rendered in ink and color on silk, presents a tranquil landscape featuring a man, a woman, and a prominent tree. The work embodies Kōrin's distinctive artistic vision, which often integrated natural elements with human presence, reflecting the aesthetic sensibilities prevalent in Japanese art of the period.

Context

Ogata Kōrin was a versatile artist whose practice extended beyond painting to include lacquerware and textile design. He frequently collaborated with his brother Kenzan, who incorporated Kōrin’s artistic concepts into ceramics and other decorative arts. "Untitled" aligns with the broader tradition of Japanese landscape illustration, known for its elegant compositions and meticulous execution, and Kōrin's designs often adorned functional objects such as fans and writing boxes.