明/清 佚名 舊傳王振鵬 養正圖 卷|Family Training

The work comprises ten panels joined to form a handscroll, rendered in ink with delicate polychrome washes on silk. This mounting method follows Qing dynasty conventions for multi‑panel narrative paintings, facilitating a sequential visual story. Fine ink lines delineate the figures, while restrained color accents provide subtle tonal variation.

The composition balances the participants, child, man, and woman, through harmonious gestures and spatial arrangement, characteristic of genre‑scene painting. Executed circa 1756 in China, the piece reflects the artistic context noted in the documentary record.

The handscroll titled Family Training is dated to 1756, as indicated by its internal cataloging, and aligns with the Metropolitan Museum of Art’s record for the work. Its creation history is tied to the Ming–Qing period, with the painting attributed to an anonymous hand after Wang Zhenpeng, reflecting the period’s continuation of earlier styles. The scroll’s format, depicting a domestic scene of familial instruction, aligns with the genre’s conventions, though no direct commissioning record survives.

The work entered the Metropolitan Museum of Art’s collection, where it is currently held, though details of earlier ownership remain undocumented in the provided sources.

The handscroll titled Family Training, attributed to an anonymous artist working after Wang Zhenpeng and dated to 1756, is held in the collection of the Metropolitan Museum of Art in New York. The work, executed in ink and color on silk across ten panels, entered the museum's holdings as a painting classified under genre scenes depicting family life. While the specific accession number is not provided in the available records, the museum's documentation confirms its location within their permanent collection.

No specific exhibition history or loan records are detailed in the current sources, limiting the account to its confirmed institutional custody and cataloging status as of the provided data.

The handscroll titled Family Training (養正圖) comprises ten distinct panels, rendered in ink and color on silk. Created in 1756, this painting is attributed to an artist working in the style of Wang Zhenpeng. It presents a series of intimate domestic scenes, illustrating the daily life and interactions within a Chinese household, offering a glimpse into familial customs and education.