Panel with the god Zeus/Serapis/Ohrmazd and worshiper

The Panel with the god Zeus/Serapis/Ohrmazd and worshiper is held in the collection of the Metropolitan Museum of Art. While specific inventory or accession numbers are not detailed in the available records, the work is cataloged within the museum's holdings of ceramics and paintings. The piece, dated to approximately 250 CE, is recognized as a religious artwork depicting a worshiper and the deity Zeus.

No specific exhibition history or past display locations are recorded in the provided sources, though the work remains part of the institution's permanent collection. The panel measures 56.8 cm in height and 52.3 cm in width.

The ceramic panel dated to around 250 CE depicts a syncretic deity identified as Zeus/Serapis/Ohrmazd alongside a worshipper, reflecting the religious pluralism of the late antique Mediterranean;. Classified as a religious painting, it is part of the Metropolitan Museum of Art's collection, where it is highlighted among ceramics-paintings. The work’s iconography and material context illustrate the broader production of sacred imagery on ceramic surfaces in this period, situating the artist within a corpus of late antique religious art that merged diverse theological traditions. Its preservation and study contribute to scholarly understanding of cross‑cultural artistic exchange in the Roman East.

The panel’s inclusion in the Metropolitan Museum of Art’s collection has positioned it as a key example of syncretic religious imagery from the mid‑3rd century, influencing subsequent scholarship on the blending of Greco‑Roman and Eastern deities. Its display alongside related ceramic paintings has drawn attention to the artistic exchange between Hellenistic and Persian traditions, reinforcing the work’s reputation as a benchmark for studying hybrid iconography. The museum’s curatorial focus on such objects has contributed to renewed academic interest and broader public awareness of the period’s multicultural artistic dialogue.

This painted wall fragment depicts two figures, one larger and one smaller, rendered with simple forms. The artwork's surface is damaged, and its colors have significantly faded over time. The composition features a prominent, bearded figure, likely a deity, alongside a smaller individual who appears to be reaching towards them, indicating a scene of reverence or interaction.