Who painted Scene in the New Tragedy of the Law of Lombardy?

Scene in the New Tragedy of the Law of Lombardy was painted by Unknown in 1779.

Where can I see Scene in the New Tragedy of the Law of Lombardy?

Scene in the New Tragedy of the Law of Lombardy is held by Victoria and Albert Museum.

What movement is Scene in the New Tragedy of the Law of Lombardy?

Scene in the New Tragedy of the Law of Lombardy is associated with Romanticism.

Artwork

Scene in the New Tragedy of the Law of Lombardy

Unknown , 1779

Scene in the New Tragedy of the Law of Lombardy is a print by the Romanticist artist Unknown. It dates from 1779 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

The work is an 18th‑century print, issued in London in 1779, that visualises a courtroom episode drawn from the historic Lombard legal tradition. It belongs to a broader series illustrating antiquated Italian statutes, and is presently held within the Harry Beard Collection.

Subject & Meaning

The image concentrates on a dramatic judicial setting: judges in powdered wigs and elaborate attire preside over a case, while a central figure appears distressed, his posture suggesting anxiety. Peripheral figures are shown whispering, hinting at intrigue or commentary on the proceedings and the complexities of Lombard law.

Technique & Style

Executed as a printed engraving, the composition relies on fine line work to render textures of clothing, wigs, and architectural details. The contrast between dark shading and lighter areas creates depth, emphasizing the emotional tension of the central character against the formal backdrop of the courtroom.

History & Provenance

First published by a London printer in the late 1770s, the print circulated among collectors interested in comparative legal systems. It later entered the Harry Beard Collection, a private assemblage of 18th‑century prints, before being accessioned by the museum that now houses it.

Context

During the 1700s, British publishers produced series of prints depicting foreign legal customs to satisfy public curiosity about international jurisprudence. This particular work reflects contemporary fascination with the historic statutes of Lombardy, offering viewers a visual guide to a legal culture that was otherwise inaccessible.