Palette & pigment
Warm Red in art
1,537–1,584 of 6,059 works · most celebrated first
The Morning Toilette
Habbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
Latif, who has murdered his brother, falsely accuses Khurshid of the deed, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
Raja Sansar Chand of Kangra and courtiers
Toilette of Radha
Text, Folio 32 (recto), from a Kalpa-sutra
The prince being taken away for execution on the false complaint of the handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night
Lovers on a Terrace: Ramakali Ragini of Hindol, from a Bundi Ragamala
Akbar and Jahangir Examine a Ghir Falcon while Prince Khusrau Stands Behind
Indra Venerates the Embryo of Mahavira, Folio 7 (recto), from a Kalpa-sutra
Moonlit Landscape
A female figure standing in a landscape holding a four-stringed “khuuchir” and a lotus
Painted Panel of Character "Dragon"
Text, Folio 20 (verso), from a Kalpa-sutra
Madhava faces a man holding a scale, folio 1 from a Madhavanala-Kamakandala
The king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night
The old man eats of the fruit of the Tree of Life, but drops dead, from a Tuti-nama (Tales of a Parrot): Ninth Night
Text, folio 60 (recto), from a Kalpa-sutra
The parrot addresses Khujasta at the beginning of the fifty-second night, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night
The Parrot Addresses Khujasta at the Beginning of the Twenty-ninth Night, from a Tuti-nama (Tales of a Parrot)
Text, Folio 63 (verso), from a Kalpa-sutra
The Sand-Carrying Festival (Sunamochi Matsuri)
King Siddhartha and Queen Trishala with the Dream Interpreters, Folio 25 (verso), from a Kalpa-sutra
Madhava plays his vina before five women drawing water from a well, folio 3 from a Madhavanala-Kamakandala
Text, Folio 10 (verso), from a Kalpa-sutra
A Man Dips His Hand into a Cauldron as Ladies of the Harem Stand in Amazement: A Page from a Manuscript of Religious History
Painting Nine from Illustrated Book of Flowers and Butterflies
The Marriage of Pradyumna and Rukmavati, page from a Bhagavata Purana
Text, folio 12 (verso), from a Kalpa-sutra
A Young, Angry Heroine, Folio 28 from a Rasamanjari
Text, Folio 13 (verso), from a Kalpa-sutra
The vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
Text, Folio 4 (recto), from a Kalpa-sutra
Lady with a Parasol
Text, Folio 27 (recto), from a Kalpa-sutra
Allegorical Figure
Courtesan
The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra
Portrait of a Man
Album of Landscape Painting Illustrating Old Poems
The parrot addresses Khujasta at the beginning of the forty-first night, from a Tuti-nama (Tales of a Parrot): Forty-first Night
Portrait of a Woman as Saint Catherine
Krishna Under a Canopy
Celebrations of Krishna's Birth, from a Bhagavata Purana
As punishment, the jester’s wife and the Zangi are thrown into fire and the emir’s wife and the mahout are trampled by an elephant, from a Tuti-nama (Tales of a Parrot), Twenty-second Night
The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night
Sudhana and a pair of antelopes, folio 37 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)