The Parrot Addresses Khujasta at the Beginning of the Twenty-ninth Night, from a Tuti-nama (Tales of a Parrot)
1560
unspecified
From the collection of Cleveland Museum of Art
1560
unspecified
From the collection of Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Twenty-ninth Night, from a Tuti-nama (Tales of a Parrot) is a 1560 unspecified by Unknown, a Mughal Painting work, held at Cleveland Museum of Art.
You see a woman in a rich red robe sitting on the floor, listening to a bright green parrot perched on a stand. The bird leans forward, beak open, as if mid-sentence. Behind them, a servant holds a lantern, casting soft light on the scene. This painting comes from a book of stories told by a parrot to delay a woman’s secret meeting. The bird’s tale works—she stays put. The tiny details, like the gold embroidery on her robe, show how carefully these illustrations were made for royal eyes. To see more like this, look up *Mughal India, court of Akbar (reigned 1556–1605)*.
Khujasta consults with the talking parrot Tuti before leaving to meet with her lover. The shrewd bird begins to tell her the story of a lynx who successfully saved himself from a lion. By the time the story ends, it is too late for Khujasta to leave for her rendezvous.
Two pieces of blue and white Chinese porcelain are visible in niches in Khujasta’s room.
Read the full account in the museum source.
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