Artwork

In convénient de se batir une maison de campagne ...

In convénient de se batir une maison de campagne ..., by Honoré Daumier, ink, 1846
In convénient de se batir une maison de campagne ..., by Honoré Daumier, ink, 1846

In convénient de se batir une maison de campagne ... is an ink print by the Romanticist artist Honoré Daumier. It dates from 1846 and is held in the collection of the National Gallery of Art.

About this work

Overview

Honoré Daumier’s lithograph titled Convénient de se batir une maison de campagne portrays a solitary figure on a tiny island of dry ground, encircled by rising water. The gentleman, attired in formal clothing and clutching an umbrella, stands amid a floodplain, suggesting an ill‑advised attempt to erect a rural dwelling in a precarious setting.

Subject & Meaning

The composition juxtaposes the elegance of the man’s dress with the inhospitable, water‑logged environment, underscoring the absurdity of constructing a country house where floodwaters dominate. Daumier’s visual irony critiques the folly of ignoring natural hazards, inviting viewers to consider the futility of human ambition against environmental constraints.

Technique & Style

Executed in monochrome lithography, the print relies on precise line work and tonal contrast to delineate the water’s encroachment and the figure’s crisp silhouette. Daumier’s economical use of shading accentuates the starkness of the scene, while the medium’s capacity for fine detail enhances the narrative’s subtle humor.

Context

Created during Daumier’s prolific period of social commentary, the work reflects 19th‑century concerns about urban expansion and land use. While primarily known for caricature and satire, this lithograph extends his critique to rural planning, aligning with contemporary debates on the suitability of building in flood‑prone zones.

Legacy

The print remains a reference point for discussions of environmental awareness in art, illustrating how lithography can convey complex social messages with minimal visual means. It continues to be cited in studies of 19th‑century French printmaking and the broader discourse on human interaction with natural landscapes.

Nous ne partirons donc pas!  -Hortense, je crois que ça va mordre . . . Rien plus qu'une petite demi-heure!
Nous ne partirons donc pas! -Hortense, je crois que ça va mordre . . . Rien plus qu'une petite demi-heure!, Honoré Daumier

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier (French: ; 26 February 1808 – 10 or 11 February 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the…

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.

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Frequently asked questions

Who painted In convénient de se batir une maison de campagne ...?

In convénient de se batir une maison de campagne ... was painted by Honoré Daumier in 1846.

Where can I see In convénient de se batir une maison de campagne ...?

In convénient de se batir une maison de campagne ... is held by National Gallery of Art.

What movement is In convénient de se batir une maison de campagne ...?

In convénient de se batir une maison de campagne ... is associated with Romanticism.

Can I buy a print of In convénient de se batir une maison de campagne ...?

Museum-quality prints of In convénient de se batir une maison de campagne ... are available made-to-order from Artifact World Gallery.