Subject
House

House is a subject in art. The gallery holds 200 works in this subject in art, including works by Thomas Eakins, Jean Baptiste Camille Corot and Thomas Cole.
The house is among the most enduring subjects in art, and its treatment maps the changing relationship between people and the dwellings they inhabit. Although houses appear in the backgrounds of medieval and Renaissance pictures, the modest residence first became a worthy subject in its own right in the seventeenth-century Dutch Republic. Architectural painting had emerged in sixteenth-century Flanders and the Netherlands and reached its height in the Dutch Golden Age, when a prosperous middle class commissioned small canvases for their own homes. Pieter de Hooch painted sunlit brick courtyards and the orderly routines of family life, while Johannes Vermeer's The Little Street (c. 1658, Rijksmuseum) elevated two weathered façades on a Delft quay into an image of timeless domestic permanence.
These pictures established conventions that recur whenever the house is depicted: careful linear perspective, close attention to brickwork, glazing and texture, and an implied reading of the home as an emblem of order, virtue and continuity. The house functions simultaneously as architecture and as metaphor—a container for the family and a sign of stability set against the wider world.
In nineteenth-century America the house migrated into the landscape. Hudson River School painters framed farmsteads and homesteads within sweeping vistas, evoking what one critic called the "home-endeared beauty" of familiar places and binding domestic feeling to national identity. Several works in this collection belong to that tradition, among them Jasper Francis Cropsey's The Valley of Wyoming and Thomas Pritchard Rossiter's Washington and Lafayette at Mount Vernon, in which a celebrated house anchors a scene of patriotic memory.
Modernism turned the house inward and uneasy. Edward Hopper's House by the Railroad (1925, Museum of Modern Art) isolates a worn Second Empire mansion behind a band of track, making the dwelling an icon of modern alienation; it later inspired the Bates house in Hitchcock's Psycho. Charles Sheeler, by contrast, distilled the vernacular barns of Bucks County, Pennsylvania into crisp geometric planes, a Precisionist vision aligned with the American Scene movement. Across these strands the house remains a charged subject—at once shelter, social document and psychological mirror.
Key artists
Overview
A house is a single-unit residential building that may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete, or other materials, often outfitted with plumbing, electrical, and climate control systems. The concept developed from the simplest form of shelters and refuges of prehistory into the diverse array of residential buildings that exist today. Geographical and climatic conditions, available building materials, technology, and the needs of daily life determine the form and construction of houses. The English word house derives from the Old English hus, meaning dwelling or shelter, which in turn stems from the Proto-Germanic husan of unknown origin. The symbol for a house also gave rise to the letter B through an early Proto-Semitic hieroglyphic symbol called bayt or beth, which eventually became the Greek beta before being adopted by the Romans.
Iconography & meaning
Beyond its physical function, the house carries deep symbolic and social meanings. It is considered the place where one remains or returns, rooted etymologically in the Latin manere, meaning to stay or dwell, which yielded terms like manoir and mansion. The house represents the entire set of living spaces and their familiar occupants, often synonymous with the household or family unit. In the nobility, the concept of the house extended to an entire lineage associated with a domain, possessing properties, titles, and juridical rights, displaying its prestige through the size of its retinue and the grandeur of its receptions. In traditional agriculture-oriented societies, the rural house encompassed not only the family but also regular domestic help and the agricultural or pastoral enterprise itself, blurring the line between domestic life and economic activity. The house also appears in language as a metaphor for the ordinary and everyday, as seen in Dutch idioms like huisje-boompje-beestje, which describes modest, conventional bourgeois life.
Across movements & periods
The treatment of the house in art and architecture reflects evolving social structures and cultural values. Little is known about the earliest interiors, but an exceptionally well-preserved house dating to the fifth millennium BC was excavated at Tell Madhur in Iraq. Roman architect Vitruvius theorized the first form of architecture as a primitive hut made of a timber frame finished in mud. During the Middle Ages, the manor house facilitated communal living, housing family, servants, and employees, with spaces like the Great Hall enforcing shared dining and meetings. In the 15th and 16th centuries, the Italian Renaissance palazzo shifted toward a matrix of interconnected chambers with numerous doors, allowing free movement but breaking boundaries of privacy. By the Enlightenment, the concept of the house as a common habitat for all generalized, and the isolated pavilion or cottage gradually revealed a more discreet art of living to the elite during their leisure periods.
Legacy
The legacy of the house extends beyond architecture into the fundamental frameworks of human language and social organization. The early Proto-Semitic hieroglyphic symbol depicting a house, known as bayt or beth, evolved directly into the Greek letter beta and subsequently the Roman letter B, embedding the domestic structure into the very alphabet. The concept of the house also shaped linguistic distinctions between public and private life, yielding derivatives like the French menage and demenager, which describe the management and movement of the household. In the modern era, the house remains the primary unit of settlement and property, with distinct typologies like the villa, the townhouse, and the apartment building evolving from its basic form. The enduring cultural focus on the house is evident in the significant time and financial resources people invest in furnishing, maintaining, and renovating their dwellings, ensuring its continued centrality in daily life and artistic representation.
Works
Lake Lucerne
Marine Landscape
The Valley of Wyoming
Threatening Sky, Bay of New York
Lake George and the Village of Caldwell
Washington and Lafayette at Mount Vernon, 1784 (The Home of Washington after the War)
Boston Harbor
The Bridge at Villeneuve-la-Garenne
Oarsmen at Chatou
A Windmill on a Polder Waterway, Known as ‘In the Month of July’
Landscape at Les Pâtis, Pontoise
Fishing in Springtime
A Home in the Wilderness
Autumn Landscape, Sugar Loaf Mountain, Orange County, New York
U.S. Thread Company Mills, Willimantic, Connecticut
The Town Beach, Collioure, Opus 165
The Artist's Garden at Eragny
Evening Calm, Concarneau, Opus 220 (Allegro Maestoso)
The Champion Single Sculls (Max Schmitt in a Single Scull)
Prospekt af hovedgården Lykkesholm på Fyn. Vinter
The Hunters in the Snow
A Cowherd at Valhermeil, Auvers-sur-Oise
The Fletcher Mansion, New York City
View of Florence
Summer Flowers
Untitled
View of the Schuylkill County Almshouse Property
Hot Corn Seller
Landscape at Le Pouldu
Boulevard Héloïse, Argenteuil
Boulevard des Italiens, Morning, Sunlight
Flower Beds in Holland
Place du Carrousel, Paris
Oyster Sloop, Cos Cob
The canal at 's-Graveland
Herengracht, Amsterdam
Landscape with a Church by a Torrent
Lobster Fishermen
Untitled
The Seine at Bas-Meudon
Bull's Head Tavern
Schloss Milkel in Moonlight
Winter Scene
Landscape Album in Various Styles: Boating in Spring Water
Strawberry Pedlar
View on the Outskirts of Caen
American Gothic
Argenteuil
Flood at Port-Marly
Panoramic Landscape near the River Moselle
Landscape in Auvergne
The Bridge of Louis Philippe
Siout, Egypt
Houses in Provence: The Riaux Valley near L'Estaque
Camille Monet (1847–1879) in the Garden at Argenteuil
A Country Road
Garden at Vaucresson
Banks of the Loing
House Raising
Long Island Farmhouses
Corn Husking
Coming Events Cast Their Shadows Before
Summer Day
View of Poestenkill, New York
Scene in a Courtyard
Winter at Portland
View of The Hague from the Delftse Vaart in the 17th Century
The Way They Live
Le Grand Quai, Fécamp
Album of Seasonal Landscapes, Leaf D (previous leaf 2)
Mt. Shenchang
Death of Euridice
Monte Pellegrino at Palermo, Italy
The Translation of the Holy House of Loreto
Tea water pump
The Painter in the Village
The Route Nationale at Samer
Houses on the Achterzaan
A Day in October, near Waxholm, Sweden
The Pigeon House
Old Manor of Criqueboeuf
Gray Weather, Grande Jatte
Baked Pears in Duane Park
Tea Party
Delaware Water Gap Village
The Garbage Cart
Old Annapolis, Francis Street
The Plantation
Buttermilk Pedlar
The Dog Killer
洛中洛外図屏風|Scenes in and around the Capital
Spring Shower (Western Kansas Landscape)
The Red Vine, Matinicus Island, Maine
Wisconsin Landscape
The Haunted House
Village Scene, Grasse
Fighting a Fire
Leete Farm, West Claremont, New Hampshire
Up the Hudson
Geese in Flight
Berks County Almshouse, 1878
At the Water's Edge
Hanging the Laundry out to Dry
The Departure
House of Père Lacroix
Farmhouse in Provence
Expedition Encamped on a Texas Prairie. April 1686
First Snow at Veneux-Nadon
Maison de la Poste, Cagnes
Montagne Sainte-Victoire, from near Gardanne
View of Benjamin Reber's Farm
Cottage Scenery
Volendam Street Scene
Landscape near Paris
The Artist's Garden in Argenteuil (A Corner of the Garden with Dahlias)
Madison Square, Snow
Reminiscences of Qinhuai River
Hexi
Green Peaks under Clear Sky: After Huang Gongwang
Fushan Monastery
Cottage on the dirt road
Mt. Fenghuang (Mt. Phoenix)
Album of Seasonal Landscapes, Leaf B (previous leaf 1)
The Thousand Buddha Hall and the Pagoda of the "Cloudy Cliff" Monastery, from Twelve Views of Tiger Hill, Suzhou
Arkville Landscape
The Lock at Pontoise
Album of Seasonal Landscapes, Leaf A (previous leaf 4)
Mt. Changchao
Minamoto no Nakakuni Visits Lady Kogō
River and Mountains on a Clear Autumn Day
Album of Landscape Paintings Illustrating Old Poems: A Scholar at a Table with a Servant aside Preparing the Ink
Sandy Road with a Farmhouse
Landscape
A Village Street: Dardagny
The Road from Moret to Saint-Mammès
Snap the Whip
清 佚名 台南地區荷蘭城堡|Forts Zeelandia and Provintia and the City of Tainan
The House with the Cracked Walls
Trees and Houses Near the Jas de Bouffan
A Bird's-Eye View
Cottages by a ditch
Lake of Orta
The True American
Chimney Sweeps
The Baker's Wagon
Convent near Rome
清 佚名 倣王翬 倣仇實父採菱圖 扇|Gathering Water Chestnuts
The Boot Black
A Street in Ikao
Whitewashing the Old House
Farmhouse in Mahantango Valley
Chief of the Taensa Indians Receiving La Salle. March 20, 1682
Market day in a Flemish town
New England Village
U.S. Mail Boat
Mahantango Valley Farm
Old English House by Moonlight
Winter in the Country
Winter in the Country
A Mayoruna Village
School Time
The Grave of William Penn
Pacapacurus Village
Under Full Sail
Midsummer Twilight
View near Naples
View of Lake Nemi
Winter landscape with skaters
Roadside Cottage
View of Concord
The Finish
Ralph Wheelock's Farm
View of the Cloaca Maxima, Rome
Men of Skagen on a Summer Evening in Fair Weather
Gardener's House at Antibes
Distant View of Tiger Hill from the Canal Mooring, from Twelve Views of Tiger Hill, Suzhou
Winter Scene in New Jersey
The Enlightened Stone Retreat, from Twelve Views of Tiger Hill, Suzhou
The Rainbow, Achères la Forêt
The Large Tree
Reminiscences of Qinhuai River
New Year's Day in a Village at Stone Lake
Construction of an Elevated Railway: Bridge over the Cours de Vincennes
Industrial Plant
Reminiscences of Qinhuai River
Kali and Devi Attack: Leaf from a Devi Mahatmya
The Thousand Acres of Clouds, from Twelve Views of Tiger Hill, Suzhou
The Vegetable Garden
City Watchman
Tea Rusk and Brick House
The Dark Mountain, No. 1
源氏物語画帖|The Tale of Genji (Genji Monogatari)
The People's Census at Bethlehem
清 王翬 雨後晴巒圖 扇頁|Mountains after Rain
Landscape with Houses
Hudson House
A House with Flowering Trees along the Amalfi Coast of Italy
Untitled
Niels Ryberg with his Son Johan Christian and his Daughter-in-Law Engelke, née Falbe
Promenading on the Ramparts of Copenhagen on the Evening of a Public Holiday in Spring
Frequently asked questions
What is House?
House is a subject in art. A house is a single-unit residential building.
How many House works does Artifact World Gallery have?
Artifact World Gallery holds 200 public-domain House works, all free to view and download.
Who are the key House artists?
Key House artists in the collection include Thomas Eakins, Jean Baptiste Camille Corot and Thomas Cole.
Where can I see House works?
House works in the collection are held by Metropolitan Museum of Art, Rijksmuseum and Gavrila Simion Eco-Museum Research Institute Tulcea.